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APHONIC THRENODY - review
(November 27, 2014)
THAW - review
(November 27, 2014)
PAGANIZER - review
(November 26, 2014)
44MAG - review
(November 26, 2014)
LATITUDE EGRESS - review
(November 26, 2014)
THAW - review
(November 26, 2014)
KAWIR - review
(November 25, 2014)
HOODED MENACE - review
(November 24, 2014)
NEKROSITY - review
(November 24, 2014)
STURMTIGER - review
(November 24, 2014)
MORODH - review
(November 24, 2014)
LORD OF PAGATHORN - review
(November 24, 2014)
PERDITION WINDS - review
(November 24, 2014)
MALAKYTE - review
(November 24, 2014)
THANATOS - review
(November 24, 2014)
PRIMAL - review
(November 23, 2014)
MARTYRVORE - review
(November 22, 2014)
SOULBURN - review
(November 20, 2014)
HEADHUNTER D.C. - interview
(November 19, 2014)
VARIOUS ARTISTS - review
(November 19, 2014)
NAMELESS ONE - review
(November 18, 2014)
LAVATORY - review
(November 18, 2014)
REVEL IN FLESH - review
(November 18, 2014)
KETER - review
(November 18, 2014)
MORTUARY DRAPE - review
(November 17, 2014)
ORDER OF THELEMA - review
(November 17, 2014)

CROM

CROM
The Fallen Beauty
(Deathlike Sound)
26:11min

You wanna know what's the worst thing about this CD? Its length!!! 26 minutes of cheesy, slimy "Hammerheart", "Blood On Ice" era BATHORY worship are far more than I can take. Where Quorthon's songs manage to create an intense Viking-atmosphere even though Quorthon can not sing, Crom, who does all on "The Fallen Beauty" except drumming, just can not sing - that's the only thing he has in common with his main inspiration. The flair and raw spirit BATHORY once embodied is absolutely non-existent on this MCD - check out German MORRIGAN if you'd like to feel it again! The Kris Verwimp-cover is cool and the layout of this release is well done and really professional, but despite a good production the music and especially the vocals on "The Fallen Beauty" are just awful!!! More information and maybe even sound files are available here: www.croms-revenge.de and www.deathlikesound.cjb.net.

Stefan Franke

More CROM reviews:
Vengeance - by Thomas Ehrmann

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