Search


Categories

Latest updates...

HALLUX VALGUS - review
(November 16, 2018)
HELLWITCH - interview
(November 14, 2018)
VIRGIN STEELE - review
(November 14, 2018)
ECTOPLASMA - review
(November 14, 2018)
JUST BEFORE DAWN - review
(November 13, 2018)
RITUALS OF THE... - review
(November 13, 2018)
BLOOD - review
(November 12, 2018)
DISCIPLES OF POWER - review
(November 12, 2018)
PAGANIZER - review
(November 12, 2018)
VANE - review
(November 12, 2018)
LIE IN RUINS - review
(November 12, 2018)
RITUAL NECROMANCY - review
(November 12, 2018)
MALTHUSIAN - review
(November 12, 2018)
SODOM - review
(November 11, 2018)
OBLITERATION - review
(November 11, 2018)
RUIN - review
(November 11, 2018)
BLOOD - review
(November 11, 2018)
SICKNESS - review
(November 11, 2018)
GUTWRENCH - review
(November 10, 2018)
OUTRAGE - review
(November 10, 2018)
ELLORSITH - review
(November 10, 2018)
BURIAL INVOCATION - review
(November 10, 2018)
KRYPTS - review
(November 09, 2018)
DEIQUISITOR - review
(November 09, 2018)
BAR┌S - review
(November 09, 2018)

NEH╦MAH
NEH╦MAH
Requiem Tenebrae
(Oaken Shield / Adipocere Records)
55:08min

At a time when the great Norwegian Black Metal bands of the past have either split up or rediscovered the virtues of Death Metal, it is surprising to witness the rise of band from other countries who maintain the classic tradition of the Black Arts once practiced in the far North. NEH╦MAH from France are one of those bands, and like Thomas and I have already stressed out in our reviews of their two previous offerings, they have achieved the exploit to sound more Norwegian than the Norwegian bands themselves. I don't know about the first full length of the band, but when I compare "Requiem Tenebrae" to their sophomore release, I find a lot of progression and a gain of maturity. This time, NEH╦MAH got rid of some annoying elements, in particular a tendency to be monotonous after a while, and come up with high class music. The compositions on "Requiem Tenebrae" are far more captivating than before, NEH╦MAH have found the perfect balance between fast and slow tempos within one hymn (the only appropriate word to qualify their songs, so much they are full of dark grandeur), so the result, despite its length (most of the tracks are more than seven minutes long) never cross through the borders of the boredom domain. NEH╦MAH have digested their obvious influences and found out their own style, so it should be inappropriate to compare them with other bands any longer. Some keyboards are used here, but never to the point to become prominent; the guitars are mixed well upfront for the better I think. In that regard the song 'Taken Away By The Torn Black Shroud' could sum up the entire album, so much this track sound majestic and mystic during its duration (more than eleven minutes long!) Lyric wise "Requiem Tenebrae" stands away from cheap Satanism, the whole lyrical concept deals instead with dark occultism linked with a vast scope cosmogony. No wonder then that the album is dedicated to both Aleister Crowley and H. P. Lovecraft. Aside the aforementioned track, another standout one is certainly 'Conscience Of Evil'; this one sounds highly original (I have even found a faint tribute to HELLHAMMER in it!) while staying absolutely faithful to the classic Black Metal format. "Requiem Tenebrae" is surely a highlight of this year 2004, and NEH╦MAH show them as one of the most important Black Metal horde of today. Forget about the so-called "Black Metal" acts sold by cynic labels, and invest your time and money into this one, you will not regret it!

Edouard Vergriete

< back   |   print   |   report errors

Related reviews:


© 2000 - 2017 - Voices From The Darkside   |   Page origin: Dec. 04, 2000   |   Site notice   |   Privacy policy