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ANVIL - review
(January 18, 2018)
NAGA - review
(January 14, 2018)
VELD - review
(January 14, 2018)
SLOW - review
(January 14, 2018)
MAZE OF SOTHOTH - review
(January 14, 2018)
HELLISH GOD - review
(January 13, 2018)
VALGRIND - review
(January 13, 2018)
ATOMWINTER - review
(January 13, 2018)
ENGULF - review
(January 13, 2018)
GAEREA - review
(January 12, 2018)
FRACTAL GENERATOR - review
(January 12, 2018)
VOIDS OF VOMIT - review
(January 12, 2018)
LORD OF PAGATHORN - review
(January 12, 2018)
WECKÖRHEAD - review
(January 06, 2018)
THE PSALM - review
(January 04, 2018)
BEST OF 2017 -... - special
(December 31, 2017)
MARDUK - review
(December 29, 2017)
MONOLITHE - review
(December 27, 2017)
DEVASTATION - review
(December 27, 2017)
FUNERAL NATION - review
(December 26, 2017)
UNDERGANG - interview
(December 26, 2017)
MYSTIFIER - review
(December 26, 2017)
AOSOTH - review
(December 25, 2017)
DAMNATIONS HAMMER - review
(December 23, 2017)

QUINTESSENZ
QUINTESSENZ
Back To The Kult Of The Tyrants
(Evil Spell Records / Undercover Records)
42:08min

Evil Spell Records…weird that by the name I already feel something good from this one man band from Germany. Evil Spell Records is a sub label for Undercover Records, a label known for quality Black Metal releases. And in this case we are not that far from a Black Metal approach, although this is more basic and primitive where early VENOM, CELTIC FROST and BATHORY are without a doubt the reigning influences. This even goes further as one can sense the MOTÖRHEAD and DISCHARGE sounds in there. So, we are here faced with probably the same album done well over 666 times by another 666 bands… and guess what? I never get tired of those bastards doing almost the same thing over and over again! So, the title of the album now makes more sense than ever, and a songtitle like the killer ‘Black Metal Holocaust’ must give you a sign of the devil to whereas this is for you or not. In fact, I think that this release is up there with some of the best copies of the aforementioned Black Metal purveyors, as the recording quality, the musical execution and overall performance is very good, especially when it comes to the drumming. The production recalls another similar piece of musical Black / Thrash as it does remind me a lot of NIFELHEIM's "Envoy Of Lucifer”, besides the obvious similar musical approach, specially noticed in the song ‘Wings Of Blasphemy’. So, all of you fans of almost the same riffs, almost the same name songs, almost the same vokills, but exactly the same primordial evil attitude, you will definitely going to worship this one. Great release. www.facebook.com/grquintessenz, www.undercover-records.de

Julián "Iron Hammer" Nuńez

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