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DIA DE LOS MUERTOS - review
(October 28, 2014)
CANCER - interview
(October 28, 2014)
DIA DE LOS MUERTOS - review
(October 27, 2014)
MYSTICUM - review
(October 26, 2014)
DESULTORY - review
(October 26, 2014)
BULLETBELT - review
(October 25, 2014)
CENTINEX - review
(October 23, 2014)
INVOKER - review
(October 21, 2014)
BACKLASH - review
(October 21, 2014)
DESULTORY - review
(October 19, 2014)
DEATH HORN - review
(October 19, 2014)
ENTRENCH - review
(October 18, 2014)
WHORE OF BETHLEHEM - review
(October 17, 2014)
VILLAINY - review
(October 17, 2014)
POSTMORTEM - review
(October 17, 2014)
SOLACE OF REQUIEM - review
(October 16, 2014)
UNDER ATTACK - review
(October 16, 2014)
DEVIL LEE ROT - review
(October 16, 2014)
EXORDIUM MORS - review
(October 16, 2014)
DEATHRONATION - review
(October 15, 2014)
OBITUARY - review
(October 14, 2014)
VELES COURT - review
(October 14, 2014)
NECROWRETCH - review
(October 14, 2014)
ASKRINN - review
(October 14, 2014)
THE CROWN - review
(October 14, 2014)
EBAUCHE NOIRE - review
(October 12, 2014)

SCAR SYMMETRY

SCAR SYMMETRY
Pitch Black Progress
(Nuclear Blast Records)
48:28min

There is really no title imaginable that would be more inaccurate for this record since there are absolutely no traces of blackness or progress to be found therein. If anybody would pay me to praise this piece of junk I'd probably label it as the prototype of how modern Metal has to sound era vulgaris 2006. In fact it's just another faceless product, customized for perfect cross-marketing to anyone who thinks he's into the more extreme. Based on precise staccato-rhythms as established in the last decade by the likes of FEAR FACTORY, mixed with some alibi-grunts and graced with the cheesiest of refrains that make all the glam-fags of the eighties look modest, the second album by SCAR SYMMETRY is a horrid example of music played straight from the wallet. Which is really a crying shame if you consider the amount of talent that here and there shines through the surface of the polished and boring standard-sound, especially in the guitar-soloing which is sometimes bordering on the brilliant. So better ignore the massive praise that this most likely is about to receive and rather go for the re-release of SADIST's godly "Above The Light", which still is a much more valid statement concerning the sound of black progress. As for SCAR SYMMETRY: "Sentenced to death by the metal inquisition..." Website: www.scarsymmetry.com.

Torsten Gründig


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