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With influences such as Metallica,
Slayer, Celtic Frost crossed with The Plasmatics, Alice Cooper and Kiss,
Slaughter was considered a "Thrash Metal / Punk band" not to be
confused with the Glamrock, hair spray band from the U.S.A! SLAUGHTER
first formed in Scarborough (Toronto), Ontario, Canada at the height of new-wave
and Glamrock, Metal bands. They couldn't play their instruments and the songs
were all made as "jokes" at first. The idea was to make funny music
tapes and mail them out to as many people as they could, just to see the
reaction. Little did they know when people started writing back saying that they
loved the songs. That first tape called "Bloody Karnage" opened up the
doors for SLAUGHTER to take the band seriously. They hooked up with a local
record store owner, Brian Tailor and recorded a proper demo / cassette / album
called "Surrender Or Die" to be sold in certain stores and by
mail-order. SLAUGHTER began playing shows, recorded their first album "Strappado"
in 1986 and finally after many delays released it on Diabolic Force / Fringe
Records in early 1987 Later "Strappado"
was re-mixed and released in 1992 on CD with unreleased tracks not on the
original album. Also in 2000 (the original demo) "Surrender Or Die"
was released on CD! Ron Sumners the original
drummer and founding member quit the band in 1986. In 1987, new drummer Brian
Lourie, joined on drums. The band toured alot mainly in Montreal, Quebec City,
Ottawa and Toronto Terry Sadler, the vocalist,
co-songwriter, co-founder and bass player quit the band in 1990. "It
became a pain in the ass after 6 years with SLAUGHTER and 10 years in other
bands before that! It wasn't fun anymore!" he says. "We had
been experimenting with 2nd guitarists and playing a more "Heavy
Metal" style, that didn't quite mold with our original fans, who wanted the
more thrashy, simple style that was more of a cross between the SEX PISTOLS and
METALLICA / SLAYER / CELTIC FROST)." Terry
tried another band after SLAUGHTER called THE HALO OF FLIES but it was a
disaster and was squashed by a gigantic fly swatter! It was a more ALICE COOPER
inspired effort. In 1990, SLAUGHTER got new bass
player; Mike Dalton and a 2nd guitar player, Bobby Sadzak. The name was changed
to STRAPPADO (title of the first LP) and the new four piece released two new
albums: "Not Dead Yet" and "Fatal Judgement".
This was the
official history of SLAUGHTER according to their website. To bring you an even
more detailed feature on this classic band, we managed to track down original
members Dave Hewson and Terry Sadler for this following in-depth interview. Some
answers turned out a little bit contradictory, for the simple reason that we
interviewed both individually and just combined the result afterwards. Enjoy!
How did you get
into Metal music and what have you all been up to before you got together in
SLAUGHTER? Any bands that you played in previously?
Dave: "As
long as I can remember I have been into heavy music. In grade 7 I met Ron
Sumners… he was listening to OZZY and I was listening to MOTÖRHEAD –
"No Life 'Til Hammersmith". No, this was my first band. Terry was much
older than us... He was singing and drumming in bands before we knew him. Mostly
IRON MAIDEN and JUDAS PRIEST type."
Terry:
"Before I started SLAUGHTER, I had been in many bands. Some were METAL
FATIGUE, BLISSMASS, BLIND AMBITION, LIZZY BORDEN, NAZZ, MEGOLITH and THE HALO OF
FLIES. I played drums and sang lead vocals for 10 years before forming my
ultimate band SLAUGHTER! I had given up on being in anymore bands in 1984, until
I met Dave
Hewson and Ron Sumners."
Terry, before you formed SLAUGHTER, you
planned to eventually name the band SLAUGHTERHOUSE but changed that idea... Why?
Terry: "I
couldn't play guitar at all, and Ron and Dave had no ideas of playing. We
decided to pick an instrument and just play "open E" at full volume.
It sounded like grinding and screaming like a SLAUGHTERHOUSE, so it was perfect.
No one else would be as insane as I am, to ever use a name like that! Later on
we shortened it up to just SLAUGHTER, because it was better sounding."
SLAUGHTER came
together as a band in August 1984 and you already released your first demo
"Bloody Karnage" in December the same year. How come? Did you already
have songs written prior to forming SLAUGHTER or were you simply fast
songwriters?
Terry:
"We just had a million ideas in our head
and pretending we were VENOM, METALLICA or SLAYER! I threw in a bit of KISS,
PLASMATICS and a ton of ALICE COOPER and it ended up sounding like something
completely different."
Dave: "Almost
everything we recorded Terry would release. Actually Terry had a book of lyrics
and we would just write a bunch of riffs and see how each riff would go with
certain lyrics. I guess we were pretty fast… pretty lucky."
I remember that the rehearsals recorded
prior to that demo - dating from August (!!), October and November '84, featured
material which wasn't included on your first demo, and in fact material that
wasn't used later either and that stuff sounded really strange like the guitar
sound, it didn't sound "Heavy Metal" at all, almost like if you played
on acoustic guitar... Is there anything you have to say about that debut
material?
Terry:
"Those "Meatcleaver" demos were us experimenting with ideas and
lyrics. Completely off the top of our heads!!"
Dave: "I
don’t remember the tracks that you are talking about. We never recorded with
acoustic guitars, so it must have been the quality of the tape."
Wasn't it a bit
too early for a debut release back then? If you would have the same situation
now, would you do it again that way or would you wait a little longer?
Terry:
"We always were tape traders with other
bands and so I always mailed free rehearsal and live tapes to pen-pals in
magazines. Also to test the waters on new material and get feedback from true
"metalheads" like ourselves."
Dave: "I
used to get pissed off when Terry would release everything. But if he didn’t
we would have not got the exposure that we did."
Did you play any
cover tunes in your early days? Where did your influences come from?
Dave: "We
played a lot of CELTIC FROST and HELLHAMMER tunes. We also played some VENOM.
Our influences were – SLAYER, VENOM, CELTIC FROST."
Terry: "Covers
we did in rehearsals were bits and combinations of 'Seek And Destroy'(METALLICA),
'Chemical Warfare' / 'Black Magic' (SLAYER),'Witching Hour' (VENOM), 'Massacra'
and anything by HELLHAMMER / CELTIC FROST. We tried alot of SACRIFICE tunes,
because we were always hanging out together. My influences at the time were
ALICE COOPER, GENE SIMMONS (KISS) and THE PLASMATICS especially!"
"Bloody
Karnage" was recorded in your rehearsal room only... Would you like to tell
us some additional details about it maybe? What actually made you go for this
weird spelling of the title?
Dave: "We
actually just recorded a rehearsal where Rob Urbinati and Joe Rico (of SACRIFICE)
were there. They jumped in and played some leads and shit and we thought it
rocked! I actually think Terry thought carnage was spelled with a
"K"."
Terry: "We
recorded "Bloody Karnage" as a drunken joke on New Years Eve 1984. Joe
Rico and Rob Urbinati (SACRIFICE) came over and played 'Hammer Of The Gods' on
lead guitars and we all jammed ideas of the songs, all in one live shot. I was
screaming into a microphone on a tape deck. I got electrical shots from my bare
feet, so I had to stand inside a guitar case! What furiour!!!"
Musically it was
still a lot more in the Punk / Hardcore direction, so what made you change your
style a bit on "Surrender Or Die"? Was it just a natural progression,
becoming better musicians or did your musical influences also change so that you
started to write a little bit different yourselves?
Terry:
"We progressed naturally and became
slightly better musicians!"
Dave: "I
think each song just went its own way. Every song just got better it seemed.
Maybe we got better as the time went on, but maybe not!"
What inspired you lyrically?
Dave: "At
the time, for myself I would have to say VENOM. As for Terry, his lyrics were
written 10 years earlier."
Terry: "My
lyrics were always little bits stolen or trying to imitate other bands, lyrical
ideas. Bits of RUSH, ALICE COOPER, BLACK SABBATH, SLAYER and METALLICA! Later,
in the "Paranormal" days I was trying to write lyrics like RUSH on
their "Hemispheres" album. BIG MISTAKE!"
You've gotten a
tremendous response on that tape... I remember that you made it on # 8 in the
Metal Forces demo-charts of the year and that you were demo of the year in Monte
Conner's radio show WBMB back then. What kind of feeling was it for a band like
yours to get such a recognition after only being together for about half a year?
Dave: "To
be honest, we freaked and couldn’t believe it."
Terry: "When
I had first seen reviews in Metal Forces and playlists like Monte's WBMB, I knew
at that point that my dream was coming true. I could be in a band, playing crap
I loved and others approved! I still have all those clippings!"
You played your first show on March 25th
1985 at Larry's Hideaway along with future label mates SACRIFICE and that show
was even sold under the name "Live Karnage", what kind of memories do
you have on that first show?
Dave: "I
remember that show was packed. I also remember I used Ace Hunter’s (DEATH
ADDER) custom Les Paul Guitar."
Terry:
"We rehearsed like slaves, everyday, up to our first show. This was it -
put out - or get crushed. We loved SACRIFICE and we were honored to play with
them on the sacred stage!! It was in a rough bar in Toronto called Larry's
Hideaway. It was THE bar to play or be seen in. Everyone went there. They had
Hardcore Punk Sundays and Heavy Metal nights. It was paradise!!! We killed alot
of baby dolls, blew our noses on many a friend, and I stabbed myself with a real
sword (by mistake!)."
Do you remember what you were doing on
stage when you were playing 'Bloody Karnage' at your first live shows?
Dave: "'Bloody
Karnage' was never played live."
Terry: "I
would impale 5 or 6 baby dolls on a real sword and smash my bass guitar until
strings broke. A little cross between ALICE COOPER and JIMMY PAGE in 'Dazed And
Confused'! We would smash beer bottles and roll in the glass and throw rubber
chickens into the audience! Occasionally we destroyed a cheap amplifier or
guitar or two! We also blew our noses into the first 3 rows of people! Classic!!!!"
Two months later you played with
SACRIFICE again at Gilmore's and you once again recorded your show to be sold on
tape as "Live Bedlam"... and that happened again at a show in November
'85, correct? Do you think those live tapes gave you more exposure?
Dave: "Like
I said earlier, Terry released everything through the underground…so I’m
sure it didn’t hurt."
Terry: "Yes!
We always made and mailed free things to fans."
Talking about live tapes, a lot of your
rehearsal tapes were also released and you Terry even spoke at the beginning of
each recording to present the thing, tell us more about that....
Terry: "Always
for ourselves and fans to listen to. Always get input back. Your fans are the
most important thing!"
How about live
shows? Did you get the chance to play out live regularly at the time in Canada?
With which bands did you play? Was there already a scene for extreme bands like
yours at the time? Have you ever played outside the country?
Dave: "Live
Shows? We have played about 15 times. We played with EXODUS, CELTIC FROST, VOI
VOD, D.R.I., KREATOR, G.B.H., DIRECT ACTION, SACRIFICE, RAZOR, OBLIVEON and more."
Terry: "We
only ever played about 15 live shows and only in Canada. The scene at the time
was filled with fantastic Punk bands like DIRECT ACTION and classic Metal bands
like RAPID TEARS and ANVIL."
Your second demo
"Surrender Or Die" was (re-?) released on Diabolic Force Records, the
same label that signed you for the only SLAUGHTER album "Strappado"...
Tell us a bit more about that co-operation!
Dave: "We
signed and they fucked us!"
Terry: "I
hand-delivered a copy of "Bloody Karnage" to Brian Tailor of a college
radio station called Aggressive Rock on CKLN in Toronto. He played our tape. I
called him up and we all became instant friends. He signed us up to do a real
demo and maybe a record. We were the first band signed to Diabolic Force
Records!"
In fact, could you tell us how much
input the Record Peddler - where Brian Tailor worked, and CKLN radio had on the
band?
Dave: "None,
Brian Taylor heard "Bloody Karnage" and said he would like to sign us.
He played us on the radio (on Aggressive Rock 88.1 FM) and so on…"
Terry: "Brian
was sent from the gods and he was a God of Metal and Punk! He didn't try to
change us in any way, and just recorded us being nutcases! His show on CKLN
started everything for us and if it wasn't for him - no SLAUGHTER. Thank you
Brian - wherever you are?"
Who created the
typical "One, two... one two, fuck you" thing in the early days, which
became kinda like a trademark for the band in a way?
Dave: "Terry
did! He loved WENDY O.WILLIAMS..."
Terry: "I
directly stole it from WENDY O.WILLIAMS and THE PLASMATICS - r.i.p.!"
Summer of '85 saw the band playing two
quite big shows along with SACRIFICE once again, the first opening for RAZOR and
the second opening for EXODUS, any memories of those shows?
Dave: "Lots
of alcohol."
Terry: "We
worshipped both bands and they were always nice guys. The rest is a blur. I had
blood in my eyes."
During '85 the Ontario Thrash / Hardcore
scene started to develop a lot with tons of new outfits appearing such as DEATH
MILITIA (ex-MASSACRE), DEATH ADDER, GUERILLA WARFARE, BEYOND, HOLOCAUST (formerly
HOLY TERROR), DIRECT ACTION D.O.G. to the point that the scene was as strong as
any U.S. scene, what kind of views did you have on that? Did you have also a
good friendship with the other bands?
Dave: "Toronto
started with a good scene but ended up with shit. All the bands you mentioned
all had attitudes except for DIRECT ACTION (who were always high). SACRIFICE was
cool though."
Terry: "All
the bands were all friends and hung out together. We all used to have wild,
bizarre parties at Dave Hewsons house. Many pictures on the inside of the
"Surrender Or Die" CD came from those days as well as the inside
picture sleeve of the original "Strappado" album. I must say that
DIRECT ACTION were out before all of us other bands and they blew the doors open
for the Toronto Punk / Metal scene! Zig, the guitarist was God, as well as
Clayton Bonin from another innovating band called RAPID TEARS."
Rob of SACRIFICE
seemed to have a really good relationship with you guys back then as he's gotten
credits for artwork. How did that come about and what has he actually drawn for
you?
Dave: "We
were all best friends back then. Rob and Ron came up with the artwork."
Terry: "Ron
drew the first logo with the chainsaw and Rob and him defined it. We were best
friends with SACRIFICE, but especially Rob, Joe and I knew Scott a little bit
before our two bands started!"
As time went on, the CELTIC FROST
influence seemed to become more and more obvious judging by the CELTIC FROST
covers you were playing at rehearsals and that you were also adding live. I know
you were also in close contact with those guys and also with Tschossi from
MESSIAH... Give us more details about that....
Dave: "We
were kind of corresponding back and forth. I saw Tom Warrior in Montreal in 1985
and in Toronto '86 or '87 and we got along really well. I know Terry and
Tschossi used to trade shirts and tapes all the time."
Terry: "CELTIC
FROST were kings of christ, perfect, - one of the best! Especially on
"Morbid Tales!"
You built yourself
quite a big underground following, so I guess a couple of label offers also came
in at the time. But you still decided to go with Diabolic Force Records instead
of a more established company. What was the reason for that? Did you ever regret
it?
Dave: "We
did have a few offers at the time, but we were young and stupid so we took the
offer from Fringe because it was close to home. Oh Yeah!"
Terry: "We
didn't know any better and we weren't really in it for the money. He was a
friend and we trusted him. He started it all!!!"
What was the reason to release that 3
track promotion single before the album exactly? How did you come up with such a
strange sound as a result?
Dave: "The
reason the "One Foot In The Grave" single came out first is because
Fringe didn’t have the money to release the LP. The three song single was just
a stalling tactic or just to keep us happy."
Terry: "The
single was just put out for a collector thing (only 1.000 made) and to give us
time to put out "Strappado". It was different mixes of the songs and
one none-album song."
Tell us a bit more
about the recordings of "Strappado" – like where you recorded the
album, how you decided on a studio and producer, who came up with the cover
artwork and if it was difficult for you to decide which songs you're gonna
record for it?
Dave: "We
recorded at Future Sound in Toronto. We chose Brian Taylor as producer (who had
worked with SACRIFICE) basically because he was all that was available as there
was no producers into our style of music. A guy named Al Warnock did the artwork.
It wasn’t difficult to choose the songs to record. We felt like we chose the
right ones."
Terry: "We
recorded "Strappado" in one 24 hour period and mixed it a week later.
It was all done in one or two takes and was basically our "live" show
set list. We originally had 20 songs written for it and we picked the best ones.
Most were re-recorded versions of songs from "Surrender Or Die", and
many were left off because we didn't like the versions. When I look back at that
album now I notice that it was almost a concept album, all about different
methods of torture. I was reading a book at the time called "The History Of
Torture". It really shows!!!"
How was it
possible for you to record the album in just ONE day? It almost sounds like a
joke, but it wasn't, right?
Dave: "What
can I say, we knew our shit. Why waste time going over and over it, if you get
most songs in one or more takes."
Terry: "No
- just spontaneous human combustion! Plus we were genius!!!!!"
Despite the album was recorded in
February '86 it took an INCREDIBLE LONG time to be issued, what were the real
reasons behind that?
Dave: "As
much as I can remember, it was lack of funds on Fringe’s part."
Terry: "Record
company bullshit with Fringe Records".
How did it happen that what was supposed
to be a single (destined for zines and Radio Stations at first) was in fact sold
to the public too?
Dave: "There
was only 1.000 copies issued, so when the promos went out, I guess Fringe went
ahead and sold the rest… I don’t even own a copy."
Terry: "We
had about 500 copies out of 1.000 left, so we sold them through the fan club
dirt cheap, with buttons and picture etc."
There's been a bit
of confusion due to a printing mistake on the cassette version of "Strappado"
('Maim To Please' was on it instead of 'Death Dealer') and a 7" EP that got
bootlegged quite often by now... Why haven't you just re-released all of them on
the vinyl version back then already? I mean the playing time of "Strappado"
was pretty short, so...
Dave: "Good
question..."
Terry: "Record
company decision. The songs left off were inferior versions of songs from
"Surrender Or Die". We put them on the CD version though!"
How did it happen that this album wasn't
licensed to any record companies outside Canada? Like SACRIFICE were licensed to
Metal Blade and Roadrunner for example...
Dave: "We
were to have the same deal as SACRIFICE until delay after delay caused us to
lose our tempers and we constantly harassed Fringe to get the thing out. I
remember the day when they had enough of me and told us we just fucked ourselves
out of our licensing deal with Roadrunner (for Europe) and Metal Blade in the
U.S."
Terry: "Fringe
Records screwed us!!!!"
By September '86 you weren't happy about
your deal with Diabolic Force anymore and your album still wasn't out yet... But
don't you think it was a bit risky to tell everywhere that your deal wasn't good
and quite shitty?
Dave: "That’s
what cost our distribution with Roadrunner and Metal Blade. Fringe didn’t like
what we were saying about how unhappy we were and what a shitty deal we had."
Terry: "No
– totally honest!!"
You once mentioned,
that you even had recorded four more tracks back then, but you didn't wanna
release them along with the album as the production was totally different...
What happened to those tracks, which songs were actually recorded etc.?
Dave: "Maybe
some tracks that we recorded as STRAPPADO… possibly 'Realms Of Void', 'Schizo',
'Electric Doom' or 'Time Warp'."
Terry:
"All those four songs are on the CD version."
In 1986 you'd
rehearsed with Chuck Schuldiner from DEATH for a short period of time... Tell us
more about that period, the actual reasons for the co-operation and why it
didn't work out between you and him!
Dave: "We
were thinking of adding another guitarist and one day I just called up Chuck
Schuldiner (of DEATH) down in Florida and told him my idea and within the week
we met him at the airport in Toronto. We wanted him to join SLAUGHTER, not us
joining DEATH. He wanted to get DEATH going. So I think it was just a bad
drunken phone call, on my part."
Terry: "I
don't remember what Chuck even looks like now."
You both had extremely severe words
about each other in interviews....
Dave: "I
think I remember hearing some shit he said about us, so we probably said some
shit back. When he was here we all got along really well, I just think he wasn’t
ready to retire DEATH."
Terry: "That
was a million years ago – who cares?"
While Chuck was still in the band you
played DEATH and SLAUGHTER tracks to the point that there was even talk that the
album "Strappado" was supposed to contain the former DEATH tracks
'Legion Of Doom' and 'Evil Dead' (at first there was talk about 'Baptized In
Blood' and 'Infernal Death') and to be honest, SLAUGHTER sounded heavier than
ever at that period, due to the two guitar players. Looking back, would you say
that it could have been one of a hell of a record if that would have worked out?
Dave: "It's
hard to say… I think it would have sounded like a split LP. Side A: SLAUGHTER
and side B: DEATH. I’m just glad it's a SLAUGHTER LP."
Terry: "No
- Chuck was only in the band for a week. A trial basis. He didn't fit in!"
Have you played at least one show while
he was in the band? If so, what kind of reaction did you get live?
Terry: "We
never played live with Chuck."
Dave: "No
live shows."
During 1986 there was also those jokes
on tapes that were circulating courtesy of you, Terry... Tell us more about
that....
Terry: "60
minutes of nonsense and silliness. It was stolen from me. I want it
back!!!"
Dave: "Terry
had a warped sense of humor. Probably the funniest guy I know. He would make all
these comedy tapes and crank calls. If you ever get a chance to get a hold of
one, do it, as you won’t regret it. I think some of the titles were, "60
minutes of silliness" and "90 minutes of nonsense."
In July '86 you played one of your
biggest shows ever in Toronto at the Concert Hall opening for CELTIC FROST and
VOIVOD. Any memory on that particular show?
Dave: "I
remember it was a hell of show…CELTIC FROST, VOI VOD and SLAUGHTER in the
summer of 1986 at the Concert Hall in Toronto. Each band kicked ass. CELTIC
FROST was in their prime at that time. We got that show because RUNNING WILD was
taken off the tour."
Terry: "My
dreams had been completely fulfilled. An album, a big stage and meeting my idols!
The rest is a blur!"
As you played
cover tunes of HELLHAMMER's 'Massacra' and CELTIC FROST's 'Dethroned Emperor', 'Into
The Crypts Of Rays' and 'Return To The Eve' back then, I was wondering if you
ever had the chance to play them to Tom Warrior and what he thought of them?
Dave: "In
1986 or '87 Tom Warrior jokingly told me in Montreal, that I said, "Oooh"
too much."
Terry: "I
once heard a quote from Tom saying he was proud that we did their songs."
Talking about
CELTIC FROST - give us all necessary info about your contribution to the CELTIC
FROST tribute album! Who had managed to get you guys back together for it and
how developed everything from there?
Terry:
"I wasn't in the band anymore at that
point. You'd have to ask Dave."
Dave: "Raul
at DWELL RECORDS (at the time) contacted us to do it."
What happened to Ron Summers at that
point, in September '86, exactly? Why did you replace him with Scott Day (ex-STORM
/ DEATH ADDER)? Were you familiar with this guy? What went wrong with him since
he was replaced in February '87 by Brian Lourie?
Dave: "Ron
and I didn't see things eye to eye anymore. With the long, long wait for the LP
to come out, we stopped rehearsing and he lost interest in the band. As for
Scott Day, he didn't even have a drum kit. We didn't even rehearse with him. He
was recommended to us by Ace of DEATH ADDER. We tried out a couple of other
drummers and then Brian Lourie came along."
Terry: "Ron
lost interest in the band - especially with the bullshit from Fringe Records. So
was I, but I wanted to keep trying."
What can you tell us about Brian Lourie
as nothing was known about his musical past? In which aspect did he fit better
into the musical concept of SLAUGHTER?
Dave: "Brian
Lourie was in a band called GOOFS ON WELFARE. He was known as "the nutcase
on drums." Brian fit in because he was a hell of a good drinker!"
Terry: "We
almost split up without Ron, who was a major force in the band. His drumming, to
this day, amazes me! At the last moment we found Brian Lourie. I had put signs
up everywhere and in every musicshop, looking for a drummer. We had just dumped
someone with an attitude, and I was starting to get bizarre, obscene, abusive
phonecalls. The person was completely out of his mind. I ignored him. A few days
later we met a new drummer and everything clicked perfectly. I began to
recognize, speech patterns in his voice - it was the obscene phonecaller - he
was Brian Lourie! He was perfect for SLAUGHTER!"
1987 was somewhat a quiet year for
SLAUGHTER as you didn't do much except playing a couple of shows in Quebec for
the first time, like opening two nights for KREATOR in April and headlining one
night at a two nights festival in Quebec in September (the other night headlined
by SACRIFICE), and you started to play new stuff live but somehow the SLAUGHTER
touch had disappeared as the material wasn't as special as before...
Dave: "Time
went on and I guess our style changed."
Terry: "We
began to write new material with Brian and songs came pouring out. I think we
wrote 'Timewarp' and 'Schizo' (from "Paranormal") in one of our first
rehearsals. It was different. We got more "clone-sounding-more-metal-less-punk"
sounding stuff and we lost the simple, catchy hooks from older, classic stuff.
My lyrics especially became stupid - less Death Metal and more, me, trying to
write lyrics like RUSH or LED ZEPPELIN! We strayed from the SLAUGHTER sound and
I would at times, openly regret it. I always believed that we should have the
simpleness of a SEX PISTOLS song mixed with the musical hooks of METALLICA and
SLAYER and especially a Punk band called DISCHARGE!!!!"
Mid '87 saw the release of "Strappado"
and the album got rave reviews in Metal Forces, Aardschock etc... how did you
react when you became aware of that reception? Do you know any sale numbers?
Dave: "We
were blown away. We knew it was a good album, but holy shit… we never received
sales statements or anything from Diabolic Force / Fringe… no idea."
Terry: "We've
never received a dime for "Strappado"!!! Somebody was getting money
from all that publicity!"
In May '87 you added Bobby Sadzak (formerly
with LETHAL PRESENCE) as a second guitarist to the line up. Why did it take you
so long to add a second guitar player to the band? I guess it wasn't so hard to
find a guitar player in Toronto with all the bands around... Were you familiar
with his previous work?
Dave: "We
always liked the band as a 3 piece, but after a few years we thought lets try
another guitarist and we liked what we heard from Bobby Sadzak (now of INNER
THOUGHT). Yeah, Bobby’s old band LETHAL PRESENCE were heavy!"
Terry: "We
always used to experiment with two guitarists and when we met Bobby Sadzak it
seemed to work, for awhile! In 1988, I quit SLAUGHTER, because I didn't like
most of the new material, and I was totally fed up with the thieving music
business. It wasn't fun for me anymore. After being in the band for 5 or 6 years
and other bands, before that, I'd had enough. I always used to say, "when
it's not fun anymore...quit, the magic's gone!" Bobby was out of the band
in 1989, and I decided to join back for a final SLAUGHTER show, doing all our
old, requested material (there is a bootleg video of the show called SLAUGHTER
R.I.P.). We did the show and things again fell apart, so I quit for good in
1990. Dave, Brian and Bobby continued on and changed the name of the band to
STRAPPADO."
You've written quite a lot of songs
after the "Strappado" album came out and even did two more demos
("Paranormal" - which was supposed to be the name of the 2nd album -
and "The Dark") in 1988, but except for the song 'The Fourth
Dimension' (which appeared on the Metal Massacre compilation), none of those
tracks got released somewhere else... Why didn't you just record a follow-up
record with all of them?
Dave: "We
basically fucked ourselves. We could rehearse 7 days a week and never sounded
better and we pretty much waited for someone to come knocking on our door…
instead of shopping our demos around."
Terry: "We
couldn't get a record deal!"
Were you contacted by Metal Blade after
the Metal Massacre thing to do an album?
Dave: "We
talked with Metal Blade but couldn't reach an agreement."
Terry: "No,
we were splitting up then."
Did your newer songs differ too much
from the original SLAUGHTER style or what made you change the band's moniker
into STRAPPADO later on?
Terry: "There
was a Glam rock band coming out called SLAUGHTER, and they got huge! Dave called
it STRAPPADO, because it became a new band."
What was the STRAPPADO line up besides
Louie and Bobby?
Dave: "I
have always been in SLAUGHTER and STRAPPADO… the rest of the line up was Brian
Lourie on drums, Bobby Sadzak on guitars and Mike Dalton on bass."
Terry: "The
STRAPPADO line up included Dave, Brian and Bobby with new bass thrasher Mike
Dalton! I met up an old guitar player, friend of mine from a past band named
Russ Frank (at a STRAPPADO show) and attempted something to be called THE HALO
OF FLIES with myself, just on lead vocals. Attempting to be ALICE COOPER (old
style like the "Killer" album) but everything fizzled fast. I gave up
and totally disappeared from everyone and everything until now!!!!"
There's also been
a couple more tracks, which you never recorded in any way (not even as demos),
so what happened to – 'Realms Of The Void', 'Electric Doom' and 'Epitaph'...
songs that you already had played live back then?
Dave: "It
was more technical than SLAUGHTER, the production was weak and we were just
experimenting with our style. With SLAUGHTER, Terry and I wrote everything
together. We had really good chemistry… we wrote some pretty heavy shit before
its time. I can’t say STRAPPADO (the band) would have been better with Terry,
but it probably wouldn’t hurt."
Terry: "Long
forgotten in a fortress of bootlegs. Check out the webpages. Huge list of old
songs and bootlegs."
During '91 you released the first
STRAPPADO demo, "Not Dead Yet", an eight song effort, but I can't say
that I was as much into it as into the old SLAUGHTER material, something seemed
to lack...
Terry: "I
agree! It was out of my hands. The last thing I wrote was the lyrics for
"Not Dead Yet"."
Did you gig around a lot under the
STRAPPADO moniker as the Ontario Thrash scene was dying - only OVERTHROW,
SACRIFICE and maybe a couple others were still around, and the clubs were
closing slowly but surely... what do you think happened to the Toronto Metal
scene?
Dave: "We
played about 10 shows as STRAPPADO. The scene was almost dead, so we pretty much
said "FUCK IT." Each show the crowds were smaller and less places to
play. We became really frustrated with the whole thing so we pretty much packed
it in."
Terry: "It
died in my opinion. I was long gone and forgotten!"
Have you heard or seen that bootleg
album that was released under the name of STRAPPADO which featured the "Not
Dead Yet" demo and that was later on released on a bootleg CD, also
featuring the "Strappado" album, before it was officially released on
CD by Fringe?
Dave: "I
have heard of it but never seen it or heard it. Anybody got an extra copy?"
Terry: "News
to me, I want a copy!!!"
Talking about that re-release on Fringe,
did you have your word to say about this? How did it come that you didn't put
any liner notes on it?
Dave: "We
didn’t even know about it until we got one copy each. Fringe Product just
released the "Strappado" (remastered and remixed version) on CD about
5 years ago, without our knowledge."
Terry:
"I had no idea it was out. I bought a copy
from a store, three years after it had come out!! I love it though, the real
SLAUGHTER. I totally love it and endorse it. It could have used more photo's
though!!"
When did you play
the last show as SLAUGHTER and what kind of feeling was it?
Terry:
"1989 and no feelings. I insulted the
audience all night. It was fabulous!!"
Have you ever
thought about a re-union of the original line-up? What are you guys doing
nowadays?
Terry:
"There is a 80% chance that the original
three piece band of Dave, Ron and myself may record and play shows together
again. Dave and Ron have expressed interest, but I have my fears and doubts. If
it is to happen, expect the old style of SLAUGHTER with a millennium twist.
We've just very recently met again after 10 years. It depends!!! What do our
fans (if any?) think? Yes or no?" (Hell yessss!!! – Ed.)
Are you aware of
the fact that (a.o.) bands like NAPALM DEATH or WARHAMMER play SLAUGHTER cover
tunes these days? What kind of feeling is that for you?
Terry:
"I am very happy."
Would you say that you were somewhat
ahead of your time with your Death / Thrash material and that it maybe would
have been better and more accepted in '90 / '91 when Death Metal was huge?
Terry: "Yes!!!"
Do you from time to time still see
individuals who had made the Ontario scene so killer such as Dave Read, Mark
Watts, Gus Pynn, Rob Urbinati, Nelly, Vicious Bruce, Glen Salter etc...
Terry:
"I've seen no one except Vicious Bruce, for
the last 10 years now!!!!"
I've heard that Dave, nearly got killed
around June '94, and that he was stabbed over 20 times in Toronto by a mentally
disturbed individual... tell us more about that!
Terry: "Enough
said!!!"
Anything else
you'd like to add to this interview?!
Terry:
"Get the new CD version of "Surrender Or Die", now available
on Utopian Vision Music!!!! For lots of info on SLAUGHTER and for curiosity sake,
check out the brand new SLAUGHTER STRAPPADO webpage at http://interactive.rogers.com/terrysadler/SLAUGHTERSTRAPPADO.
Thanx for listening to and reading my endless drive. I'd like to thank everyone,
who showed interest in SLAUGHTER over the years and let's keep in touch. This
was the best interview, I've ever done. Take care!!!!!!!"
Frank Stöver /
Laurent Ramadier
RELEASES:
"BLOODY
KARNAGE"
(first demo tape,
recorded in 1984)
Songs include:
DISINTEGRATER / INCINERATOR
ONE FOOT IN THE GRAVE
FORGED IN THE FURNACE OF HELL
BLOODY KARNAGE

"SURRENDER OR
DIE"
(2ND DEMO
TAPE, RECORDED IN 1985)
Songs include:
DISINTEGRATER/INCINERATOR
MAIM TO
PLEASE
TYRANT OF
HELL
SHADOW OF
DEATH
DEATHDEALER
ONE FOOT IN
THE GRAVE
SURRENDER
OR DIE
EVE OF
DARKNESS
MASSACRA
STRAPPADO
TALES OF
THE MACABRE
CULT OF THE
DEAD

"NOCTURNAL
HELL"
(EP / single)
b/w:
TORTURED
SOULS
ONE FOOT IN
THE GRAVE
(limited
edition single on DIABOLIC FORCE / FRINGE RECORDS - no longer available)
"STRAPPADO"
(1ST ALBUM,
RECORDED IN 1986 and released 1987)
Original album
songs were:
STRAPPADO
THE CURSE
DISINTEGRATER/INCINERATOR
PARASITES
F.O.D.
(F*** OF DEATH)
TORTURED
SOULS
NOCTURNAL
HELL
TALES OF
THE MACABRE
(Bonus Track on
cassette version only: MAIM TO PLEASE)
(remixed and
re-released in 1993 with extra recordings)
MAIM TO
PLEASE (unreleased version)
ONE FOOT IN
THE GRAVE (unreleased version)
TYRANT OF
HELL (unreleased version)
DEATHDEALER
(unreleased version)
"PARANORMAL"
(2nd album,
recorded in 1988, released on cassette only)
All new songs including:
ASTRAL
PROJECTOR
THRESHOLD
OF PAIN
TIMEWARP
SCHIZO
GALACTIC
DYNAMICS
COFFIN OF
ICE
THE FOURTH
DIMENSION
THE DARK
TELEPATHIC
SCREAMS
(bonus track
includes remake version of "F.O.D." - from the "Strappado"
LP)

"NOT DEAD YET"
(released in
1991 - on cassette only)
NOT DEAD
YET
FLAKE
THRESHOLD
OF PAIN (new version)
TIMEWARP (new version)
DEATH COMES
RIPPING THROUGH YOU
THE DARK (new version)
ASTRAL
PROJECTOR (new version)
TELEPATHIC
SCREAMS (new version)
the band line
up changed and the band changed its name to "STRAPPADO" in 1990.

"FATAL JUDGEMENT"
(released in
1992-released on cassette only)
songs include:
THE WORLD
AROUND US
FATAL
JUDGEMENT
PRECIOUS
ONE
NOT DEAD
YET
F.O.D.
THE DARK
FLAKE
NOCTURNAL
HELL
THRESHOLD
OF PAIN
THE CURSE
BACK
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