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DESENSITISED
Thriving On Carnage
(MCD)
(Bleeding Hemorrhoid Records)
16:35min
I am sorry, but I think this will not be a positive review of Dutch
Death / Grinders DESENSITISED’s debut MCD “Thriving On
Carnage”. Although they were able to surprise me when listening to
it for the first time, because Steve Vaasen’s Hardcore-like vocals
differ quite a lot from the common Brutal Death / Grind growling
& gurgling, which nevertheless appears on this release as well.
But except the unusual vocals and the riff in the last part of
‘Cover Up’, there is sadly nothing on “Thriving On Carnage”
I like – most riffs sound uninspired and boring, it has not such a
great Hardcore groove like for example MISERY INDEX and definitely
lacks of brutality, which makes INCESTOUS, DISGORGE or “the
Masters of Groove” DYING FETUS so intense. DESENSITISED simply are
nothing very special and do not seem that energetic and talented. I
do not want to discourage the band or make fun of them, because I
really appreciate anyone who plays in a band and struggles to
release a demo or a CD, I know how hard this is, but when I compare
the debut releases of younger bands like SEVERE TORTURE or DISAVOWED
I simply have to admit that they are much more brutal, creative and
entertaining than DESENSITISED. Maybe this band still needs time and
I hope they will use it to improve their musical abilities, as well
as the songwriting, but they should not give up and remember that
even the gods SUFFOCATION were once considered crap. If you like to
give them a chance, send 10 EURO or 10 $ to the address below.
Contact: DESENSITISED, Randenborgweg 119, 6118 GJ Nieuwstadt, The
Netherlands. Email: DESENSITISED@mail.com,
Homepage: http://listen.to/desensitised
Stefan
Franke
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DESENSITISED
/ PEACH HER
Bought Beauty / Gastrophobia (Split CD)
(Grodhaisn Productions)
32:41min
Hmmm, I will divide this review - as usual - into two dimensions.
That is, a descriptive and a prescriptive element. DESENSITISED are
from the Netherlands and play sort of oldschool, underground,
down-tuned Death Metal with some Hardcore elements in the sound. The
songs are rather mediocre, no interesting twists - just elemental
speed-attacks and Thrash beath being smashed into your face. Every
once in a while I feel reminded of acts like PUNGENT STENCH, MASTER
etc. when it comes to structure and effects. The sound on the whole
is very rough, a bit weak I think to be honest. The vocals are
boring... not really extreme --- just mid-range again. Now for the
prescriptive bit --- bands who want to be extreme should be extreme.
This certainly isn't... go to a proper studio, think about your
intentions still and do something more consequent. PEACH HER ---
geeee, what an insipid and boring name. This woman-dissing,
sexual-frustration-compensating, snob thing is sooooo yesterday. But
the of this second band is better and actually more extreme than
that of DESENSITISED. The guitars are down-tuned... or even
7-stringed?! I like the chord work on this output... some
interesting cadences and lines. These guys seem to be inspired and
influenced by INHUMATE, INHUME, HAEMORRHAGE and friends. Thus -
gore-regurgitating, fast, primitve Grind, Death Metal... you name
it. I don't like such bands' intros and intermezzi... they bore me
to death. There are certain humoresque elements to DESENSITISED
sound and that's alright. The groovy parts sound cool at times, but
also very superfluous and ridiculous when the vocalist sound like a
crappy hip-hopper. Not my kind of music as you will sense... www.grodhaisn.cjb.net/
F. Cthulhu E.
BACK
DESENSITISED
Virus Of Violence
(Promo)
(self-financed)
13:13min
Dutch DESENSITISED have been a part of the Metal community for quite
a while already. The band has been active since 2001 and has evolved
from CATAFALQUE. For those of you guys who are not familiar with the
latter – CATAFALQUE were hailing from the Netherlands too and
played an oldschool combination of Death and Thrash Metal elements
in the vein of DEMONIZER and the likes. These Metalheads now have a
rather traditional approach, too. As one could already hear on their
preceding outputs – “Thriving On Carnage” (2002) and “Bought
Beauty” (2004) – DESENSITISED know how to play proper
Death-Thrash. This output now starts off with a very oldschool
ANASARCA - like staccato-driven riff in 'In The Grip Of Fear', then
followed by rhythmic downstroke Thrash structures. So basically
there are these two ingredients – Death and Thrash. I cannot
really discern the Grind elements the band's infosheet mentions.
Maybe they refer to the vocals mentioning said elements? In any case
– the songs are solidly-performed and well-produced (mastered by
Andy Classen). The tracks alternately incorporate blast-beats and
Thrash rhythms, the guitars perform quasi-meldodic patterns combined
with headbanger compatible rhythmic staccatos. The vocalist roars
out his discontent somewhere between deep Death Metal and rather
hoarse mid-ranged grunts. All these tracks are tightly played and
everything – but yet all this doesn’t strike me as being overly
original. I have heard this a thousand times before. Some weird
twists and a warped arrangement here and there would do well. But
that is personal taste I guess and doesn’t affect the overall
positive impression. To be paid heed to, gens and ladies! Website to
be checked at: www.desensitised.nl
F. Cthulhu E.
BACK
DESENSITISED
Virus Of
Violence
(Pathos Productions)
32:05min
So what do we have here? Desensitised
from the Netherlands are playing good oldschool Death Metal as it
has to be. I didn’t know the band before and I have to say what a
mistake. The 3 guys and the one lady on the guitar give us 13
straight Death Metal tracks, all about 3 minutes with not too much
frippery. Great riffs from Susan with little accents from a melodic
lick here and a nice solo part there. This woman knows how to play a
guitar. A good mixture from faster speed / blast parts to more
grooving parts and that’s when I like the band most because it
becomes more intense and you get reminded a little bit on the great Carcass,
what isn’t the worst. Over all you have the great grunt vocals
from singer Wilbert, which fit perfect to the songs and complete
them, sometimes with support from Susan and on the song 'Sacred Slaughter'
with a guest appearance from Severe
Torture fronter Dennis. But also the other two members
Martijn (drums) and Jeroen (bass) have done really good jobs with an
excellent drumming and nice deep bass parts. All put together and
mastered to a strong wall of sound from Mr Andy Classen. So you
don’t get anything new but half an hour of great fun while
listening to this record. I hope to see them live sometimes. I got
the virus get it too on www.desensitised.nl
or www.myspace.com/desensitised.
Stefan Hagmayer
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DESILENCE
Demo 2003 (CD-R)
(self-financed)
22:02min
These young Thrashers from Berlin sound pretty technical but come up
with some pretty good hooklines. This one’s somewhere right in
between oldschool German Thrash and modern stuff like DEW-SCENTED.
Some Power Metal influences every now and then as well. I like the
melodic solos a lot and the singer delivers strong, aggressive
vocals. Maybe he should try to sound less monotonous, though, and
sometimes he seems to lose control over his voice. Apart from that,
this demo offers surprisingly high quality: pretty good songs,
strong musicians and a professional sound. Maybe this demo is
already interesting enough for a small but dedicated label – who
knows? You can order the CD for 2,50 € plus postage directly from
the band. www.desilence.de
Ramon
Claassen
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DESILENCE
Wreck The Silence
(Twilight Zone Records)
50:28min
I was wondering what is the role of a reviewer nowadays. In the
heydays of Metal rising, the reviews, the fanzines, were a very
important issue. You just get to "synchronize" with a
reviewer / fanzine and use it as a guide to buy / get material. That
was it. Remember, there was no internet then. Nowadays, although it
might seem weird, it is also an important task. Why? We have things
like Myspace and stuff like that…Well, because we are flooded with
quantity and really few quality (no matter how well it sounds due to
computer use, a mediocre band
will always stay mediocre). And now that we have this download
thing, well, really for buying the physical thing you must be really
getting something worthy. When listening to this German quintet, and
listening to the first riffs, the vocals and the production, I was
like throwing my laptop out in anger…it sounded to me like Metalcore
in the first seconds…but then I decided to give it another chance,
probably I was wrong…I also got some information on the
band…When nowadays I listen to the word "Thrash"
I just feel tired… 20 years ago I would be jumping in joy
for listening to a new band and with more passion if it was a Speed
or Thrash Metal band. I was supposed to be one of the fans blessed
by the latest "revival" of Thrash Metal. But, no, I have
been longing those elder days more and more. Not that I am an old
headbanger only thinking that
"back then in '88 when
SLAYER was…" nah. Just give me some honest fast and
controversial music with attitude and I will be fine. Well, that's
what is missing from most new "Thrash" bands nowadays (and
do not get me started with other genres…) the attitude. DESILENCE
plays a Speed / Thrash Metal reminiscent of most 80s Thrash Metal
bands, more ilike ANTHRAX, METALLICA, FORIBIDDEN and…well, you get
the idea. In fact it was early DEFIANCE it was more reminiscent of.
They have more screamy vocals, and I must add that there is an
interesting rhythm section. But at times, way too many, this does
sound to that dreadful Metalcore. Yeah, you know that angry Hardcore-like
vocals, with fast drums, melodic riffs enriched by a heavy as
mammoth production, and the usual stop-start jump-now riffs. In
subsequent hearings, I can appreciate the Speed / Thrash Metal
roots a bit more and there are some interesting parts. It does at
time invoke things that I used to listen in the late 80s, specially
the American way of Thrash (weird this being a German band…he he).
One song I think stands from all of them in the sign of 'Initiation'
which sounds a lot like NEVERMORE… so, this is getting more
confusing. Now the band does play above average Speed / Thrash
(although flawlessly executed) but when they go into a more
progressive / traditional Metal style, they shine, and let me tell
you the vocalist here shows alot of promise, he even reminds me of
Marcolinni in some parts, when he uses his more "clear"
voice. Some twenty years ago, I would have been one of the first in
line to get this album…but nowadays; I will just stand as a
watcher, hopefully waiting for them to follow more in the NEVERMORE
style and forget about the generic Thrash (where more than a dozen
newer bands can kick their asses), and hoping the vocalist realizes
that growling he sounds damn generic and that he can sing. Now, I am
one of the few people that seem to enjoy covers. Any day a good
cover, makes my day, but…a GENESIS cover? Oh, my…whatever. This
is one of those bands that I would recommend to first listen and
then decide. Hopefully they one day will give us a surprise, as the
potential is there. www.desilence.de,
www.twilightzonerecords.com
Julian Nuñez
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DESOLATEVOID / THE LAST VAN ZANT / THE PARISH
Split CD
(Crimes Against Humanity Records)
43:05min
How many years before I had a split CD in my hands…wow, long time
ago. Split CDs were back in the day a useful and cheap way to be
known in a worldwide basis in a digital format…good splits are
quite rare anyway, as more than once there is a band that is better
than the other, or some band just sounds to be included just for the
sake of filling up space…now a three way split is a bit more like
a compilation rather than a split if you ask me…but yeah, this has
also an oldschool feeling anyway…I must mention that the bands
contained within are all from the USA…DESOLATEVOID is the first
band, which is more into a Groove / Thrash / Grind style, with
shouted vocals more akin to Punkish bands, and a definitive
Rock'n'Roll feeling à la MOTÖRHEAD…it is quite enjoyable,
although at times the weird rhythm changes and the constant use of
screamy vocals takes away some coherence in the music…some songs
reminded me to Lee Dorrian era NAPALM DEATH with that rock feeling I
was telling about…THE LAST VAN ZANT comes later, and although the
style is similar, this one is more Thrash orientated, while still
having that Rock feeling, they also shine with Hardcore influences,
and at least in my case, sound more enjoyable than the previous
band, specially due to a heavier guitar sound, but this also sounds
dangerously close to some Metalcore…'Standing In Blood' with a
heavy MASTER-alike chords is a good song, but the chorus turns more
to the Hardcore direction rather than some good old Thrash…their
best song is the last one from their split 'Born Of Death' that at
times invokes AT THE GATES sound, although in a doomier / stoner
form…finally THE PARISH OF DOOM with just two songs of a heavier
kind of Metal, almost stoner in essence, although there is a strong
Doom / Death root in here, specially with the more deep gruff
vocals…musically speaking there were more than a few things that
reminded me to old Dutch Death / Doom Metal bands like CASTLE,
BEYOND BELIEF and such, but still with a Rock'n'Roll touch to it…a
fantastic and raw guitar sound makes this last band to be at least
for me the best of the bunch…'Suffer' has a heavy BLACK SABBATH
influence on it, but done into their own style…so, as this is it,
an interesting compilation, yet a bit away from the usual styles I
am more into, but those looking for the heavier, darker side of
Sludge / Stoner / Metal might as well give the bands a try. For more
info check out www.cahrecords.com,
www.myspace.com/desolatevoidrocks,
www.myspace.com/thelastvanzant,
www.myspace.com/theparishofdoom
Julián Núñez
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DESPISE
Indefinite Force
(Live Music Records)
approx.
35min
DESPISE may be one of the oldest Thrash Metal bands from Greece (formed
in 1986), but they have definitely not been very busy in terms of
recording and releasing material. Besides their 1993 demo “State Of
Brutality” and some sampler contributions, they have not managed
to record a longplayer up to now. But their plans are to release
their first album “Indefinite Force” in the near future. That is
why they have put 4 tracks from the upcoming album and the complete
“State Of Brutality” demo (also 4 tracks) on this compilation to
promote their cause among the Thrasher community. And, as far as
I’m concerned, they put up a very good show which makes me hungry
for more. The 4 newer tracks are pure and classic 80s Thrash Metal
in the US tradition in an excellent contemporary production; the
songwriting is very mature and delights by variety. The production
of the 4 older tracks from 1993 is, of course, not up-to-date
anymore, but the songs are certainly still an interesting history
lesson for inquisitive Thrashers. Back then, the songwriting
qualities of DESPISE were already showing. So, on the musical side
everything is alright, I really can recommend this compilation to
all Thrash Metal fans. But there is one thing that really makes me
angry: the actual running time of the 8 tracks of around 35 minutes
is stretched to over 47 minutes by track 5 which is nothing more
than over 11 minutes of silence! Why? What a stupid idea and waste
of time... But anyway, it’s the music that counts, and if the
upcoming album keeps the standard of this demo compilation I’ll
forgive this misconduct. Thrash lunatics, keep an ear open for
DESPISE! Find more information and long song excerpts in mp3 format
on www.despise.gr
Christoph Göbel
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DESPONDENCY
Extinction (Demo)
(self-financed)
19:15min
Hell! What a piece of rage! Excellent musicians as well... oh, of
course, featuring OF TREES AND ORCHIDS drummer Dirk and GALLERY
OF DARKNESS vocalist Konstantin plus Florian (OTAO) as a session
bass player - quality guaranteed! DESPONDENCY are saluting the gods
of hyper fast Death Metal such as SUFFOCATION and CRYPTOPSY and
they kick some serious ass! Of course they're not on the same level
as their heroes (yet) but as this is their first demo ever, this
is amazing! One of the most brutal outfits from East Frisia is celebrating
the self-caused extinction of mankind for the sake of nature. Great
sound, by the way (Soundlodge Studio (OBSCENITY))! You can order
this excellent demo for 15,- German Marks or 7,- US $ (incl. p&p)
at: deadilm@web.de
Ramon Claassen
BACK
DESPONDENCY
Womb Of Shit
(self-financed)
11:33min
Let me introduce you guys to a sickening, demented and lurid
dimension in brutal Death Metal music. Well, ye’know, there are
extreme bands such as Cannibal
Corpse, Deeds of Flesh, Vile, Dying Fetus and the like. We
all know these fountainheads of today’s extreme Metal movement.
The question whether these acts can still be labelled as underground
and free of commercial biases is a vividly debated matter. But
that’s not the point here… the thing is that there has always
been a constant undercurrent of even more extreme bands. In recent
years such phenomena could be detected in the Dutch, Brazilian, and
Scandinavian scenes – at least that’s what the underground media
came across with. Just think of bands such as Disavowed,
Pyaemia, Severe Torture, Beheaded, Deranged, to name but a
few. DESPONDENCY definitely belong to this undercurrent of extreme
Death Metal acts that don’t give a shit about commercial
tendencies – and that is positive in the first place. In 2001 the
band released their first output “Extinction” which gained them
positive reactions indeed. Now these sickos come up with another
(promotional) CD bearing the subtle title “Womb Of Shit”. Well,
such insipid titles are debatable – I personally think they are
quite infantile – but hey, I reckon this kind of title-codex is a
sound characteristic of this scene. Apart from that, people who are
keen on Death Metal acts whose chief interest is to redefine and
arouse standards of brutality with every new album will be more than
happy with this effort. First of all, “Womb Of Shit” surprises
with a transparent production Jörg Uken of Soundlodge Studios (Obscenity,
Gallery of Darkness, Ingurgitating Oblivion, Gorezone…) was
in charge of. The guitars are really well-done (production-wise).
The guitar sound is highly distinct, heavy, natural… maybe they
could just be slightly crunchier, a bit more aggressive – but
that’s something guitarists could dispute about eternally (well
– and I am one, so let’s leave it like that). The guitar work
mainly concentrates on rather simple structures, utilising chords
that accentuate the drums in this typical Suffocation
/ Brodequin-and-friends kind of style. Otherwise there are
some hammerings, a few hook-lines, some straight forward staccato
bits. But, chiefly, the guitar work is relatively minimalistic to
guarantee uttermost brutality. The drums – well, that’s always a
tricky business when it comes to Death Metal productions. A
remarkably big part of Death Metal drummers and producers are just
not very sensitive when it comes to bass-drum sounds and the
snare’s characteristic. That’s a weak point here, too. I think
the bass drum sounds sooooo artificial and lacks aggression. It’s
the same with the snare – why don’t people just use an ordinary
compressor to push up the level? Bands such as Malignancy,
Origin, Deranged, Vile… proof that a natural sound can be
achieved without triggering the snare in such an obvious fashion –
anyway. Apart from this observation, the drums are just awesome
(quite literally!). Dirk probably is one of the most remarkable
drummers in the German scene. He’s extremely fast, tight, creative
and totally in control – and that’s a rarity in this scene, I
think. The drum-patterns he performs are utterly complex, contrived,
and so brutal. Marvellous! The bass-guitar supports the whole production
from beginning to end – I don’t assume that this component plays
a significant role in DESPONDENCY’s sound, for it’s not
highlighted or elevated anywhere… It just serves the traditional
supportive purpose. The vocals are guttural, perverse, ultra-deep,
and frightening. Well – nothing innovative really, but well-done,
in control and supportive concerning the nightmarish atmosphere of
this output. What I really like about Konstantin’s vocals is the
fact that they kind of embrace the compositions, they keep
everything in order and convey a certain compactness. This output is
extreme, it’s fast, it’s brutal, it’s vicious… the
production is, despite the few negative points I’ve noted, far
above average – nevertheless, the result doesn’t reinvent the
wheel, and probably this isn’t the intention of DESPONDENCY
anyhow. But, I suppose a certain innovative potential is necessary
to set a band above the general average of bands that crave to
achieve individuality in the scene… still, this album is bound to
make freaks who are into really extreme Death Metal material (Cinerary,
Brodequin, Disavowed, Malignancy etc.) kneel down and rejoice
in euphoria… Sickos interested in this output should contact the
band via the address below and enquire for prices / postage
conditions, etc. c/o Steffen Ilm, Pferdemarkt 16 3/09, 26121
Oldenburg, Germany, deadilm@web.de
F. Cthulhu E.
BACK
DESPONDENCY
God On Acid
(Revenge Productions)
33:16min
To be honest, I was a little weary about reviewing DESPONDENCY’s
first full length because after my initial fascination for the frog
noise genre I became bored of it pretty soon. For my taste, the
vocals just sound a little too abstract, not human. Could an opus of
30 minutes keep my level of attention or would I doze off after a
while? Almost surprisingly: nope, sir! I’m still awake after quite
a couple of times listening to “God On Acid”! Maybe that’s
because every now and then there comes a song I already know (the
band used all 3 songs from the “Womb Of Shit” demo 2002 and even
re-recorded a song from the long sold out “Extinction” EP,
namely 'Highest Form Of Brutality'). So basically, you can also take
a look at the other DESPONDENCY reviews around here for almost half
of the songs (and take a look at the interview as well) but to sum
it up: “God On Acid” is a strong modern Death Metal album with
good songs and high musicianship. Once again one would have to
mention Konni, that sick lunatic on vocals and drum machine Dirk. My
faves are the title track with that mighty slow part in the middle
(doom it out, baby!!!), 'Womb Of Shit' for not being froggy all the
time and 'Until It Bleeds' for its cool bass parts. As long as
you’re into frog noise there is no way of getting around “God On
Acid”. Slam on, dudes (but keep away from France – they’re
eating frogs over there)! Oh, I almost forgot: there is a limited
vinyl version out on Autopsy Stench Records impressively supporting
the excellent artwork by Deather! www.despondency.de
Ramon Claassen
BACK
DESTINITY
Under The Smell Of
Chaos
(Adipocere Records)
42:00min
It
seems Black Metal is raging wild for now in France, and DESTINITY
gives us another proof of this. “Under The Smell Of Chaos” (an
awkward title if you ask me) is already their third, but the first
one I have the opportunity to listen to. Their label tags them as
“Symphonic Black Metal” , certainly referring to the
heavy use of keyboards throughout the album. But except for the
track 'Evil Moon' whose
the intro is based on a sort of an operatic mode, don’t expect too
much pomp from this six piece. All the songs are brutally textured
and offer an interesting contrast between the usual Black Metal
shrieks and the deep growls inherited from brutal Death. You know
already I like to make comparisons to help the readers understand
better what a particular band sounds like (and not to suggest a lack
of originality in the first place), so let’s say DESTINITY reminds
me of the first BAL SAGOTH semi classic album, minus the spoken
parts the Englishmen are so fond of. The music owns more to Death
Metal than pure Black Metal, even if the musicians stay faithful
visually wise to the established code of the Black Metal attitude,
that is corpse paints and “evil” glares. The songs are rather
short and to the point, making “Under The Smell Of Chaos” enjoyable to listen to. On the other hand, the originality factor
will not strike you at once, in that regard even the basic cover art
(again, a burning pentagram) gives us a clear clue about the
derivative aspect of the release. To sum it up, DESTINITY offer us
quality music but I am afraid they not belong to the first league
yet. Certainly a good album, but nothing much more. Note that a
video segment is featured here, shot last year during a live
performance. Contact:
http://destinity666.free.fr.
Edouard Vergriete
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DESTINITY
Synthetic Existence
(Adipocere Records)
44:54min
DESTINITY have slightly changed their musical approach since their
previous effort. But having done so, they give the unfortunate
impression they still look for their own style. If I mentioned some
epic Black Metal influences before, this judgement is not valid
anymore. Indeed (and maybe because it is the fact that “Synthetic
Existence” was recorded in a Danish studio), the final result
sounds very Scandinavian this time. The major problem of this type
of record lies in the fact that the music on offer resemble to
nothing yet without creating an original style. “Synthetic
Existence” is precisely very synthetic sounding. This is not Death
Metal, nor Black Metal, nor Power Metal, in the end it is nothing
because, to tell it simply, these guys don’t have a clear vision
of what they want to achieve. So they obviously got together every
titbits of idea they could fetch here and there in order to come out
with some tracks hastily composed. With a title like that, you can
guess that some futuristic samples and modern production appear here,
together with an unwise use of grandiloquent keyboards. I don’t
see the point of doing such an uninspired musical jigsaw puzzle,
borrowing from VOIVOD here, from ARCH ENEMY there, and from whatever
you can imagine in between (ZYKLON for example). Personally I refuse
to endorse such a mess, because if you have nothing to offer, it is
better to shut up without imposing the poor results of your lack of
inspiration for more than a 15,00 € price. There is maybe ten
really impressive Death or Black Metal bands in activity in Europe
right now, and DESTINITY don’t belong to this battalion by far. I
am pretty sure that these French wannabes are convinced they have
produced an avant-garde chef d’oeuvre, sorry for them it is not
the case. I am appalled by the current state of a scene I cherished
for so long, a sentiment reinforced by this poor album. I certainly
don’t need that, and I bet you neither. So spare your time and
money by ignoring this lame record completely. One thing is for sure:
the destiny of DESTINITY (sorry…) is bleak to say the least.
Enough, case closed.
Edouard Vergriete
BACK
DESTROYER 666
Phoenix
Rising
(Season Of Mist)
40:10min
Over one year since its recording, "Phoenix Rising"
finally sees the light of day! Those of you who were besotted with
the mighty "Unchain The Wolves" album may have
a few lumps in your throats’ when you initially pick this one
up. Boasting an incredibly slick and polished production, "Phoenix
Rising" is a more mature and well thought out affair than
its predecessor. The classic DESTROYER elements are still there
in full force, expounding their praise of the classic 80’s
era of Metal without ever parodying it. Trying to say that DESTROYER
have become commercial is completely unfair as it still thrashes
and rages like a beast, yet there is something more "friendly"
to the ear that the more bestial storms of mutilation witnessed
on previous DESTROYER releases. Opener ‘Rise Of The Predator’
hits like a sledgehammer as soon as the macabre intro ends, blasting
its way through to ‘The Last Revelation’ and the title
track before leading to what is undoubtedly THE best song on the
album, ‘I Am The War God (Ode To The Battle Slain)’.
This song is monstrous! Complete with a hypnotic melody throughout
wrapped up with some excellent Black / Death Metal riffs. This song
can easily be compiled with the "all time classic Metal songs"
(at least in my humble opinion). For the rest of the album, that
black thrashing mania, swept with some excellent melodies is the
fare. Second best song on the record is the very catchy ‘Lone
Wolf Winter’ with the classic line "I think I’m
a wolf – then again I’m fuckin' crazy"! You gotta
love it. One of 2000’s best releases in my opinion and one
that all self respecting Black and Death Metal fans should have
in their collections. Rumors of a European tour are circulating
and hopefully these will prove to be true. Next album "Cold
Steel" has a lot to live up to. Let’s hope the standard
they have raised with this one will continue.
Darragh O'Leary
BACK
DESTROYER
666
King Of Kings / Lord Of The Wild 7"EP
(Ajna Offensive)
Hot on the heels of "Phoenix Rising" comes a new 2 tracker
EP from DESTROYER 666. Boasting a production similar to that of
"Unchain The Wolves", this is something of a step back
in some ways. The sound is heavy and very, very raw and the whole
thing reminds me a little of "Persecution Mania" for some
reason! Track two, ‘Lord Of The Wild’ is in keeping with the classic
DESTROYER tradition combining ripping riffs with acidic vocals and
haunting melodies…There is a small lyrical contribution from Pete
Helmkamp of ANGEL CORPSE fame helping the DESTROYER concept of the
conqueror along quite nicely. For those of you who might have thought
that "Phoenix…" was a little too polished (I certainly
didn’t), this EP will sit nicely on your stereo, keeping DESTROYER’s
exhalation of raging Black Thrash alive. Beware the cold steel to
come – choose your weapons now!
Darragh O’Leary
BACK
DESTROYER 666
Cold Steel For An Iron Age
(Season Of Mist)
35:32min
Australian’s
most popular oldschool Death / Thrashers DESTROYER 666 strike back
with their fourth full-length effort. It is their most consistent
and fastest album so far, but it can not top its predecessor
“Phoenix Rising“, because it lacks of a real stand-out track
like ‘Lone Wolf Winter‘ or ‘I Am The War God‘ in my eyes.
Although “Cold Steel...“ offers some really great tracks, like
their homage to SARCOFAGO ‘Sons Of Perdition‘, the catchy and
untypical ‘The Calling‘ or traditional D666-stuff, like ‘Witch
Hunter‘ or ‘Raped‘, I miss one of those epic songs, that I
especially loved on their two previous releases (“Violence Is The
Prince...” does not count, because it is crap!!!). Another thing I
have to criticize on “Cold Steel...” is the production (done by
Terje Refsnes at Sound Suite Studios, Marseille) that sounds very
bass-less, it is quite clean and still powerful, but where’s the
bass??? Overall I can recommend “Cold Steel For An Iron Age” as
a good, but by far not perfect Death / Thrash album, which has some
cool moments, especially because of K.K. Warslut’s awesome, grim
and unique voice, but DESTROYER 666 have to work on themselves to
create a classic someday. They have the potential and have shown
that in the past, but the raw force they are able to deliver live
has not been adequately captured on CD.
Stefan Franke
BACK
DESTROYER
666
Terror Abraxas (MCD)
(Iron Pegasus Records)
22:01min
Even
though I used to like their "Unchain The Wolves" album
pretty much back when it originally got released I never really
cared to follow the career of DESTROYER 666 (don't ask me why...)
and therefore missed out on all of their releases afterwards. Well,
if they were of a similar class as this new MCD I obviously made a
big mistake, cause this five tracker really impressed me alot! It's
got a perfect oldschool black thrashing feel, a very sinister
overall atmosphere (especially in the really moody, seven minutes
long 'Trialed By Fire'), extremely cool, raw vocals, a big
DESTRUCTION influence when it comes to the guitarplaying (just check
out 'A Bleed Apart' or 'Terror') and excellent songwriting in
general. While many of today's bands miserably fail in recreating
the ancient feeling, DESTROYER 666 exactly managed to deliver the
typical 80s vibe in the new millennium and even sound very fresh at
it! Therefore this record should easily appeal to a big variety of
fans: from the usual oldschool Thrashers to the Death / Thrash
maniacs, yeah even the dedicated Black Metal lunatic might get a
kick out of this as the band never sounds boring or uninspired, but
always very dark and with a strong blackened attitude. Impressive!!
Label contact: www.iron-pegasus.com
Frank Stöver
BACK
DESTRUCTION
The Antichrist
(Nuclear Blast Records)
42:08min
Together with bands like SODOM and KREATOR, DESTRUCTION was the
band in the mid-eighties which placed Germany on the worldmap of
Metal. I guess almost everybody out there will be familiar with
their Thrash Metal classics (“Infernal
Overkill”, “Eternal Devastation”,
“Live Without Sense”…)
and will probably also know that DESTRUCTION got back together about
two years ago and astonished the worldwide Metal scene with their
comeback-album “All Hell Breaks Loose”. Despite all the intensive
touring, they even found the time to write songs for a new album
called “The Antichrist” (what a lovely title…) which will
be released at the end of August. Already from the opener ‘Thrash
Til' Death’ (…we have the pleasure to kill, we are bonded by blood…), you can hear
that with this album DESTRUCTION took it even a step further and
sound more old-school than ever before! The strange thing is that
“The Antichrist” got once again recorded at the Abyss studio,
but it doesn’t sound like that at all!!! The production sounds very
old-fashioned and is not as cold and clinical as “All Hell Breaks
Loose” sometimes did which is meant in a very positive way!
“The Antichrist” sounds 100% like DESTRUCTION, you can easily
distinguish the guitar-style and the riffs of Mike out of hundreds
of other guitarists. Most of the songs are rather speedy (‘Dictators
Of Cruelty’, ‘Bullets From Hell’, ‘Creations Of The
Underworld’…) and are actually all on a very high level without
any real outstanding highlights this time to my opinion (like you
had with ‘The Butcher Strikes Back’ on the “All Hell…”
album), although ‘Trash Til’ Death’ is a really cool track.
To make it short: DESTRUCTION delivered once again a very well-written
and executed Thrash Metal album which shows to my opinion all those
wannabe modern Thrash bands like THE HAUNTED, CARNAL FORGE and others
how real Thrash should be played! Great artwork by the way!!! Read
the interview for more info…
Steven Willems
alternative
review:
When
it comes to DESTRUCTION everyone seems to be deaf these days, so
I simply had to come up with an alternative opinion here this time.
I totally agree with Steven that the new album comes up with a way
better, more oldschool production. That's definitely a big plus
of the new album as the modern Abyss sound really turned me off
of "All Hell Breaks Loose". But in terms of the
riffing and the vocal delivery I still don't really recognize good
old DESTRUCTION that much anymore nowaydays. "The Antichrist"
is indeed a great oldschool Thrash album, but I seriously doubt
that someone would easily be able to recognize this as an DESTRUCTION
effort if the songs would be played just instrumental, without vocals.
Mike's an awesome guitarist and he used to have a very unique guitar
style back in the 80's. But that uniqueness somehow got lost over
the years and was replaced by a more perfect playing ability, which
is truely a shame. Same goes for Schmier's vocals. Ok, unlike Mike
he's still easily recognizable, as there's no other vocalist around
sounding like him. But in my opinion he's trying to sound a little
too angry these days and is therefore screaming a little bit too
much instead of just going back to his charismatic aggression delivery
of DESTRUCTION's glorious past. Compare each new track to an old
classic and you'll certainly agree with me. On the other hand, it's
great to have DESTRUCTION back in this form, as they still come
up with way better material than many other established names in
this fucked up business these days. And yeah - the artwork really
kills!!!!
Frank Stöver
BACK
DESTRUCTION
Metal Discharge
(Nuclear Blast)
66:06min
Were it the best DESTRUCTION album in the last 15 years or so, were
it a Thrash classic of “Sentence of Death” or “Infernal
Overkill” calibre, still I would laugh my ass off looking through
the “Metal Discharge” CD booklet. Don’t get me wrong Herr
Schirmer and Herr Sifringer, I’ve been admiring DESTRUCTION since
your very first mini-album, I still consider your early releases to
belong to the greatest pieces of Thrash ever released in this solar
system and I even I respect you for keeping the old image, but
enough is enough. Who do you think you are, top models or what?
Posing on almost every one of 20 fuckin’ pages of the CD booklet
looks downright stupid. I guess we had more than enough of your
current photos inside “The Antichrist” already, thank you. Kill
your designer and be yourselves, please. Now,
having this burden taken off my shoulders and the annoying booklet
sealed up, never to be opened again, let’s listen to what the
music has on offer. Uh, uh, uh, not that much either, I’m afraid.
I simply can’t recognize the good old band in these songs. What
have they done to my DESTRUCTION, ma? Sure, the album has its bright
moments, but for a band of such status it surely isn’t enough.
This material sounds like being made in a rush and it was amusing to
get to know that it was the case indeed according to Mike himself.
Perhaps Nuclear Blast badly needed a new DESTRUCTION album no matter
how good it was. But what about the fans? Did we really need such
half-assed stuff? Except for the too screaming vocal delivery, their
previous attempt, “The Antichrist”, was really a great album, at
least as great as Thrash may be in 2000+. It has given us some hope
to hear good old DESTRUCTION again some day. Now “Metal
Discharge” is trying to kill this hope, to kill with no mercy. On
the other hand, this time Schmier’s vocals sound surprisingly much
more convincing than on the last two records, especially in songs
like 'Metal Discharge' and 'Fear Of The Moment'. Talking about the
latter, it must be the only decent track here. It stands so high
above the rest of the stuff on offer that it isn’t even funny
anymore. The temptation to program my CD-player so that it would
play 'Fear Of The Moment' 10 times instead of just once plus 9 other
tracks seems to be too strong to resist. Holy shit, this one is
utterly brilliant, a fantastic tune from the first to the last note!
Total DESTRUCTION! Moreover, it isn’t a blueprint from some of
their old triumphs, its charm has its own character. Gimme ten songs
like that and I’ll put “Metal Discharge” next to early
DESTRUCTION records not for any alphabetical / chronological reasons
only… To save my day a little bit, the Russian edition of “Metal
Discharge” released by Irond has (as a compensation for poor main
contents perhaps) lots of bonus stuff like covers and demo versions
of some songs in their primeval form. While pounding 'Whiplash'
(METALLICA, of course) kills as it has always been and for 'U.S.A.'
(both by THE EXPLOITED and in general) I couldn’t care less, IRON
MAIDEN’s 'Killers' surely wasn’t screaming for such thrashy
treatment which turned a good Heavy Metal song into a mishmash of
noisy nonsense. Just like it was the case with the “All Hell
Breaks Loose” album, 'Bestial Invasion' (here in the ’99 demo
version) turned out to be one more proof that early DESTRUCTION
stuff rules supreme over any current attempts of theirs. You can’t
dethrone the king crowned by yourselves… To
tell you the bitter truth, I have serious well-grounded doubts about
the possibility of listening to this album from start to finish ever
again. My problem only though, I believe nowadays DESTRUCTION has a
huge army of new fans, huge enough not to care about some stubborn
old farts sticking to their antiquated values. Hey, Frank,
wouldn’t we have a couple of beers with “Infernal Overkill” on
the stereo at a decent volume instead? (Hey Tim: You're always
welcome, even though I don't think that this album is actually
thaaaat bad... to me it's mainly the annoying, screamy and
constantly repeated choruses that really get on my nerves! Hey
Schmier: how about some vocal stuff in the good ol' 'Bestial
Invasion', 'Mad Butcher', 'Curse The Gods', yeah even 'The Butcher
Strikes Back' tradition instead...?)
Timothy Dovgy
BACK
DESTRUCTION
Inventor Of Evil
(AFM Records)
50:34min
In my opinion a very big part of the euphoria concerning the return
of "classic-era" DESTRUCTION was based on the countless
live shows they did throughout the last couple of years. The band
managed to impress with very energetic and often surprisingly tight
performances, while thrashing through a setlist full of crowd
favorites from the past. A very special experience for sure,
especially for the younger Metal fans, who weren't able to see
Schmier and Mike live on stage back in the 80s. But that doesn't
necessarily mean that their new albums easily lived up to those high
standards and I bet that those shows would never have turned out
this successful if they had only played stuff off "All Hell
Breaks Loose", "The Antichrist" or "Metal
Discharge". On those records the band was more or less still
struggeling to return back to their wellknown writing style, the
original DESTRUCTION spirit was often sadly missed and therefore
they delivered a whole bunch of mediocre tunes along the way. But
they've obviously learned from past mistakes. The (originally way
too modern sounding) production already got better and better with
each album and it seems that on "Inventor Of Evil" also
their writing skills have finally increased as well now. What really
turned me off on various tracks on their previous records were the
probably way too long or often repeated lyrics. The songs literally
got buried by Schmier's constant singing and the fact that parts of
those vocal lines got doubled certainly didn't make the whole
process more enjoyable to me. Even though it's still not completely
gone on this new album, it was at least reduced very much, so that
we're finally able to enjoy Mike's incredible riffings and the
impressive drumming of Marc a lot more now. The album kicks off in a
very 'Hell Awaits' type of fashion, with a similar riffing /
drumming and after a spoken part on top of it (kinda close to
"The end is near..." from "Sentence Of Death")
explodes into 'Soul Collector', which is already my personal
favorite on the album. This is 100% DESTRUCTION, just musically more
matured sounding and of course technically better produced. The
straight ahead 'The Defiance Will Remain' and 'No Man's Land' are
two other good ones to me, 'The Calm Before The Storm' recalls
'Reject Emotions' a bit in its opening part and the much hyped 'The
Alliance Of Hellhoundz' (with various guest vocalists) is without a
doubt the weakest tune of offer this time. With all respect to the
original idea of the song (unity in Metal), it by no means can
compete with any of the other tunes on the record and already bored
me rather quickly. But all in all I would personally still consider
"Inventor Of Evil" as DESTRUCTION's best offering since
their reunion as it sounds fresh yet oldschool at the same time!
That also goes for the cool coverart which features the classic mad
butcher again. There's also a limited edition digipack version
available, which features a cover of MOTÖRHEAD's 'We Are The
Roadcrew', 'The Alliance Of Hellhoundz' (with Schmier's vocals only)
and a video clip, but as I don't own that one I can't comment on
those extras here. For all further info check out www.destruction.de
or www.afm-records.de.
You can order the CD here.
Frank Stöver
BACK
DESTRUCTION
The Curse Of The Antichrist - Live In Agony (DoCD)
(AFM Records)
97:58min
Live
albums… I have hear, witnessed and even been part of a few of
them... I wanted it or not… Live albums as any live shows are an
essential part of the Heavy Metal world. 20 years ago for a Heavy
Metal band to release a live album was a big deal. It was something
left only for good selling bands…for bands that were very good
live through intense rehearsing and touring…if it was hard to do
an studio recording, where you could actually "fix" a few
parts (even if we are talking "B.P" or Before
Pro-tools...) doing a live show was really something different, a
task for which few were up to face. And yes, there were some really
sad live albums, and some other which were really standards for all
those bands to be compared against. DESTRUCTION is no stranger to
me. In fact, the very first band I called once my favorite, in the
Heavy Metal realm (or should I refer to the "underground"
Heavy Metal term) were this German band. And yes, I do have really
fond memories of their albums, and of course of the mighty
"Live…Without Sense". And yes, I followed them through
the tragedies called "Them Not Me",
"Destruction" and I was not brave enough to see the mighty
fall so hard with "The Last Human Cannonball" or something
album…a recording I did get through tape-trading and up to this
day have not heard just because of a review done back then by a good
friend of mine…in any case, no matter how hard the band tries to
hide this trilogy of abominations (and I am not speaking in a Heavy
Metal way, really failure is more accurate) and consider them not
part of their catalog (which those recording are and will ever be) I
cannot deny the fact that I was one of the few that dared to buy
their "comeback" album "All Hell Breaks Loose"
just because Schmier was back. Up to this day I still do not accept
that the frontman of the band is the same Schmier I used to worship.
He seems to be the same, have a similar face, but I do think there
is a secret DNA experiment there or something. Being the same and
still he is different. Blame it on the age for the vocal change. It
was the overall concept as music which counts, and that for a change
differing from most reunion$, was good. Yeah, good, not great. I did
have the chance to see them live about a year after this comeback
album was released. And it was probably the aura surrounding the
band that makes that show memorable. I was able to saw them a few
more times, and although they are a competent live band, no one can
deny that their strength lies within the old songs. That must
be a Teutonic curse, as the same thing applies to KREATOR and SODOM,
which I have been also a witness of their live rituals and their
last records. All of this serves as an introduction and preparation
for this new double CD review. To start with it I must admit that
the cover art and overall presentation (no matter which format you
can consider) is great. The sound on this one is also massive. And I
mean it, with powerful thick guitars, perfect drum sound; even the
bass can be heard like it is supposed to be. This new live
album is not compromised of one show, as in the old times; no,
rather than that the songs are compiled from various points, being
Wacken 2007 and Japan the main places. The wonders of modern
technology also make this live compilation to have an even sound.
Although I cannot really say that there were some fixes done in the
studio, the band sounds really compact, if maybe a bit
"tired" in a few songs, specially 'Curse The Gods'. And
speaking of the selection of numbers, they do cover most of their
background and the new albums. You will even find songs like
'Cracked Brain' from the album of the same name, in which the
recorded studio version does not feature Schmier (and yet this one
is considered as part of their discography and not as Neo
DESTRUCTION). There are also many songs from their new album
"D.E.V.O.L.U.T.I.O.N." which so far I have not heard
before, and they are quite good. There is also some strange
and weird part from the songs recorded on Wacken as some tracks
feature even three drummers at the same time! That is…interesting
I guess. And these drummers are actually all their former drummers
the band had at a certain point, so I guess it fits this as this
live album also celebrates 25 years of DESTRUCTION. Those
triple drums sound massive also, and must be noted that they were
played in mostly old songs, and even Tommy takes vocals on 'Total
Desaster'. Also the song 'The Alliance Of Hellhoundz' features live
appearances from Bobby "Blitz" of OVERKILL, Peavy from
RAGE and a guy from COMMUNIC. So, it is a very complete package,
covering old and new songs…and yet there are things that are
wrong. First, the very fat guitar sound. Or should I say over
processed guitar sound. DESTRUCTION was never of fat guitars, their
sound was a bit thinner yet full of exciting riffs. Second their
modern approach with their classic songs, making them sounding like
another band doing DESTRUCTION covers. And third, well, the new
songs. They are still in the same style; make no mistake, as the
main composer is the same person. The only thing is that he has
chosen to make it more modern, actual or whatever and they are no
longer as exciting as the ones he used to compose many years before.
I have found no reason to get this one if you already have any other
recording from this same band with songs contained here. I have
mixed feelings here. I will just reject the emotions. www.destruction.de,
www.myspace.com/officialdestruction,
www.afm-records.de
Julián
Núñez
BACK
DESTRUCTOR
Sonic Bullet
(Auburn Records)
46:02min
DESTRUCTOR are back. Finally! Still thrashin’ mad! This EP
contains 7 new songs and 2 raw but good sounding live tracks –
value for money in case the music’s good. No question about the
live songs: 'Pounding Evil' and 'Iron Curtain' are underground
classics without any doubt. But what about the new stuff? Is this
just another reunion nobody needs? Definitely not! DESTRUCTOR still
know how to kick some ass! They’re still right between Power Metal
and Thrash, maybe a little less Thrash than in the 80s because Dave
Overkill improved his voice tremendously. Sometimes he even sounds
like the wild brother of Harry Conklin (JAG PANZER). The songs seem
a little more structured as well. Now this is the point where some
of their old fans might become worried – but don’t be afraid,
this is still DESTRUCTOR! Still fast and untamed. I can’t see why
one shouldn’t buy this album immediately: it’s played with
precision and passion, well produced and the songs rip! The title
track absolutely deserves its name and on 'Master Of The Universe'
we have some excellent guitar solos that make me grab my air guitar!
Definitely something for both Power Metal and Thrash fans, old
followers as well as new addicts. Great fun and headbanging action
guaranteed! In 2003 DESTRUCTOR still stand for Maximum
Destruction!!! Check out our forthcoming interview as well! www.auburnrecords.com
Ramon
Claassen
BACK
DESTRUCTOR
Storm Of Steel (MCD)
(Auburn Records)
33:38min
This is typical Auburn Records. While other labels try to cash in on
their bands as much as they can, the Medina, Ohio homebase of 80s
Metal cult acts such as BREAKER, SHOK PARIS, PURGATORY and of course
DESTRUCTOR (to name but a few) prefers to unleash no less than seven
(!!) songs for the ridiculous low price of an EP! Oh Bill, this way
you will never get rich and famous, hahaha. Anyway, so as usual with
Auburn releases, value for money here again, accompanied with first
class ripping Metal! I actually never really understood why
"Maximum Destruction", the debut full length of
DESTRUCTOR, didn't establish the band internationally in a bigger
way. Should we blame it on the cover picture? Who knows?! Musically
speaking DESTRUCTOR have always been a good address for fans of
thrashy Power Metal (powerful Thrash?) and their songs easily stood
the test of time as you can once more check out on this EP yourself.
The title track 'Storm Of Steel' should be known to longtime fans of
the band already as it was originally featured on the legendary
Auburn Records cassette compilation "Heavy Artillery" and
has been a part of the DESTRUCTOR live set for many many years. It
is featured three times on here. There's the original compilation
version from 1990, then a live version, recorded at Auburn's 20th
Anniversary festival in 2004 and a brand new 2007 studio version. If
you compare them all (especially both studio recordings), you will
most certainly agree that you don't recognize the 17 years (that
have passed in between) at all! DESTRUCTOR still know to pull it off
in the same way as in their early days and that's pretty amazing,
considering the fact that almost every band of that long existence
period delivers rather shitty releases nowadays (no need to mention
any names here). The EP also features a killer live version of
'Sonic Bullet' (yes, the sound quality is excellent on both live
songs, in case you need to know), a previously unreleased demo
version of 'We Are Ready' (recorded during the sessions for
"Forever Leather", DESTRUCTOR's upcoming new full length)
and two brand new studio songs ('Tear Down The Heavens' and 'World
Of War'), that will also appear on "Forever Leather". Very
promising material, that should easily please longtime fans of the
band. And if the whole new album will live up to them (which I
suppose, it does) we should all be looking forward to it! Originally
this EP was meant to be a limited edition release for the "Keep
It True" festival in Germany (where they sold a whole lot of
this I've been told!), but feel free to contact Auburn nevertheless.
Maybe they still have some copies left for you: www.auburnrecords.com
Frank Stöver
BACK
DESTRUCTOR
Forever In Leather
(Auburn Records)
44:28min
Euclid / Cleveland’s Power Metal warriors DESTRUCTOR are back again with yet another bloody skull to add to their burgeoning collection! The CD “Forever In Leather”, the band’s third HM album, kicks it into gear where last year’s “Storm Of Steel” MCD left
off (for those that missed that outing, this MCD was originally only to be sold at The Keep It True Festival. So if you weren’t there or couldn’t get a copy through the label, be sure to read the review written by Frank
Stöver amongst these pages for what you missed). A true rip-ride of a record, “Forever In Leather” takes the listener by force back to the days when Metal bands not only had something to say, but meant every riff they wrote and every word sung into the microphone! Eleven tracks of welcomed and inspired HM / Power / Thrash Metal are featured here that are a blessing to these ears! As the band breaks into the 21st Century once more, for those like me, who haven’t heard anything new by DESTRUCTOR since “Maximum Destruction” was for sale. It is a relief to know that they still haven’t lost their touch for heavy, and original Metal music. Granted these days the bulk of their album’s set-list seems to be written in a more EXCITER / MAIDEN-ish tempered approach, ultimately you would be hard pressed to see either of those aforementioned bands nowadays
attack their material with such fervor, or even attempt to try to keep up with the blazing fury that DESTRUCTOR deliver note after note. And to those maniacs who still listen to “Maximum Destruction” on any kind of regular basis let me say that the DESTRUCTOR of old, the band that converted all the local Rivetheads and Earthdogs at the time from their home town(s), their home state, and across the U.S., all the way to Europe! To those specific fans, of who purchased DESTRUCTOR’s debut LP and remember being just floored by the raw balls-out Metal that this band wrought.
The two-fisted writing force of Dave Overkill and Pat Rabid continue to please those
Speed Metal fans of old, whilst thwarting the critics, the cynics and expertly pummeling their competition to the ground with such instant classics as ‘Skull Splitter‘ and ‘Straight To Hell’. Two of the very best tracks on this album, favorites of mine, and two savage killers that I guarantee absolutely will smash your skulls with power!
Contact: auburn833@aol.com
or www.auburnrecords.com
or P.O. BOX 925, Medina, OH 44258, U.S.A.
Wes Rhodes
BACK
DESTRUKTOR
Nailed
(Hell's Headbangers)
45:24min
OK, the layout of DESTRUKTOR's brand of grinding Black / Thrash Metal is rolling tornado
of drums and I mean LOTS of double bass, tons of rolls and fast cymbals attacks merged with
simplistic, repetitive riffs and low, rumbling bass. One major thing missing is fucking evil
atmosphere. No matter how much I tried to get into it, I couldn't. Cannonades of relentless rolls
work for some bands, but not for DESTRUKTOR. And the main reason, I think, is boring,
unimaginative arrangements, those little fucking things that create hellish atmosphere
necessasry in this kind of music. To use a football parallel, DESTRUKTOR are solid second league
team compared to say Superleague where bands such as BLASPHEMY, SADISTIK EXEKUTION or BLACK
WITCHERY play. Actually, by the end things get better and the last three tracks
'Endless Reign Of Terror', 'After Death Murmurs' and 'Spawning The
Immortal' show more varied and interesting aggression, not just bland, treadmill-like rumbling. Speaking of vocals, I didn't like them also,
boring and not sick at all, just mundane repetition. Get fuckin heart into it, motherfucker!
So, in my opinion there are lots of much better Black / Death /
Thrash Metal albums to invest your money into, but at the end of the day, go to their Myspace page, listen to the shit and decide
for yourselves. I'm off to destroy my roof with BLASPHEMOPHAGHER's
"...For Chaos, Obscurity And Desolation". www.myspace.com/666destruktor,
www.hellsheadbangers.com
Minda "Plix" Lapinskas
BACK
DETERIOROT
In Ancient Beliefs
(WWIII Records)
63:57min
Formed
in 1990 this fantastic US band released a demo tape in '92 and one
year later an EP on Drowned entitled "Manifested Apparitions Of
Unholy Spirits". Both releases contain brutal and obscure Death
Metal with an unholy and blasphemous atmosphere. Especially the EP
was a remarkable piece of US Death Metal in the old-school style.
But after this EP it was rather quiet in the DETERIOROT camp. So I
was quite surprised as Paul Zavaleta (git / vox) contacted me and
sent "In Ancients Beliefs" to me. DETERIOROT is back again
and the three original members Paul, Jon and Will still know how to
play brutal and unholy Death Metal. “In
Ancient Beliefs” contains the songs from the demo tape and the two
tracks from the EP plus some brand new compositions (this US
version even has the original demo material as a bonus as well -
Frank). “In Ancient
Beliefs” is a masterpiece of finest US Death Metal in the vein of
old INCANTATION and GOREAPHOBIA stuff. If you're into those bands
you surely will dig DETERIOROT. Enjoy those masters of unholy
Death Metal.
Hacker
BACK
DETERIOROT
The Faithless
(5 song rough mix of upcoming second album)
22:02min
It's
bands like DETERIOROT that still keep me motivated to support the
Death Metal underground. This New Jersey bunch is luckily one of the
few really cool remaining bands that didn't join the armada of gore
grind infected hyperblasting CANNIBAL CORPSE / SUFFOCATION clones.
DETERIOROT is a lot closer to old acts like BOLT THROWER (in terms
of the slow heaviness), IMMOLATION (for a blasphemous pure Death
Metal vocal delivery), ROTTREVORE (for the raw brutality), SADISTIC
INTENT (for the right feeling) and some old Swedish masters of Death
(for their partly NIHILIST / early ENTOMBED infected guitar sound
and riffing).
This 5 song rough mix of their upcoming second full length album
"The Faithless" is another proof of their uncompromising
attitude and brilliance in composing killer material. While bands of
the younger generation mostly seem to mix up brutality with total
speed and technical skills, DETERIOROT have choosen a quite
different (yet very effective) path and even prefer to slow down in
order to perform their straight ahead, quite simple structured
material. That doesn't mean, that these guys are of the doomy kind,
not at all - there's a lot of pretty fast elements involved in the
songs as well! It's just that they don't use speed just for speed's
sake. They are obviously writing their material from a different
point of view, focusing on every little part of their songs equally,
always trying to create those bits and pieces with the same
necessary dark atmosphere rather than just blasting through them
without compromise. This formular results in extremely convincing
pure Death Metal of top notch quality! It even seems to me that in
terms of brutality they went back quite a bit to their earlier
material (7" and demo), which is completely fine with me. And
considering the fact that this CD-R only features rough mixes of
five of the new songs, I bet my ass that the final result will even
manage to blow away their excellent debut album "In Ancient
Beliefs"!
Frank Stöver
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DETERIOROT
The Faithless (Advance CD-R)
(Xtreem Music)
43:29min
The return of DETERIOROT is one of the most surprising events this
year for me, and it is as powerful as it is unexpected. Frank's
detailed interview with main man Paul Zevaleta will inform you about
the various difficulties and obstacles that lay before the
completion of this new album, so I suggest you read that one as well
if you haven't done so already. “The Faithless” contains ten
songs (plus an intro); among these are a slightly faster re-recorded
version of 'In Ancient Beliefs' from the debut album bearing the
same title and a SODOM cover version, namely 'Outbreak Of Evil'. The
first thing that struck me upon hearing these tracks was the fact
that “The Faithless” is absolutely devoid of any contemporary
influences, not even a tiny shred can be found, neither in the music
nor the production – in short: no wimpy shit! Instead, DETERIOROT
still deliver their uncompromising brand of well-crafted and utterly
heavy Death Metal, enriched with delay-ridden leads and dismal
melodic bits that coney a sense of foreboding doom, not unlike early
BOLT THROWER (more on the atmospheric side of things than the actual
riffing). Besides the similarities to the British band the heaviness
could also be compared to that of GRAVE's first album. In general,
DETERIOROT always had a sense for arrangement and the use of eerie
melodies that echoed the masters of both the Swedish and Finnish
scene rather than Northern American bands of that time, the
exception being maybe ROTTREVORE (who displayed a comparable massive
heaviness), even very faint traces of very early Death / Doom like
the EP and debut album of MY DYING BRIDE are present here (in 'Alone
And Cold'). The vocals, as mentioned in the other reviews on these
pages, are still in the throaty and slightly guttural vein similar
to the delivery of Ross Dolan. Productionwise, the overall sound is
very near to that of “In Ancient Beliefs” (so don't expect the
face-melting buzzing rawness present on the 7”EP “Manifestation
Of Unholy Spirits”) but according to the notes accompanying these
advance tracks the whole album will be remixed again so an even
thicker result can be expected. It is hard to pick up a favourite
song off “The Faithless” as all tracks are on a high quality
level, meaning that no filler tracks is present at all. The SODOM
cover version 'Outbreak Of Evil' deserves a special mention: Even
though the riffs are somewhat different to that of the rest of
“The Faithless” it blends in surprisingly well, Paul even
mimicked the strong German accent of the original version which
gives this cover yet another special twist besides the roaring
downtuned guitars. The actual cover artwork remains subject to
specualtion at this point, hopefully it will reflect the quality and
depth of the music and be more elaborated than that of the debut
album. “The Faithless” will hardly convince those who stayed
cold towards “In Ancient Beliefs”, those who cherished the band
back then, on the other hand, will hail DETERIOROT for this very
strong and totally convincing come back as it displays all the
trademarks that made the band great without any cheap nostalgia
which sadly seems to be granted very easily these days. All further
info at: www.myspace.com/deteriorotofficial,
www.xtreemmusic.org
Ulrich Kreienbrink
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DETONATION
Promo 2001
(self financed)
13:24min
The Dutch
band DETONATION was founded in summer 1997 under the name of INFERNAL
DREAM which they changed into DETONATION in 1998. January 2000 saw
the release of their debut mini CD "Lost Euphoria" and
now they recorded this promotional 3-track CD, primarily in order
to attract the record companies' attention. DETONATION are dedicated
to a thrashy kind of Gothenburg style, sometimes furious, sometimes
quiet, always melodic or even bombastic (some parts of the song
"Starve" remind me of BATHORY at their bombastic stage).
I like their songs quite a bit and I guess people into Swedeath
won't be disappointed. Good production, by the way! http://www.detonation.nu
detonation@mail.com
Ramon Claassen
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DETONATION
An Epic Defiance
(Osmose Productions)
46:03min
With their first full length the Dutch band
DETONATION try to resurrect the golden era of the Gothenburg scene
of the beginning of the 90’s. I just said "try" because
the result doesn’t come up fully convincing. The playing abilities
of the four musicians cannot be questioned here, they show a great
deal of talent. But the song writing department doesn’t match the
musical skills I am sorry to say. The songs are not memorable, and
lack the excitement factor that made classics like "The Gallery",
"The Somberlain", "Lunar Strain" or "Orchid"
so enjoyable ten years ago. Yet all the mandatory ingredients
necessary to build solid melodic Death Metal are on offer here: the
MAIDENesque riffing, the dark and melancholic atmosphere (‘autumnal’
is another word that spread in mind while listening to this kind of
music), delicacy mixed with sudden outbursts of aggression. But the
magic, this intangible factor needed to catalyse all these elements
and fuse them into a harmonious and imagination-striking unity is
simply not here. Then, "An Epic Defiance" ends to sound
more like the effort of respectful scholars impressed by the
knowledge of their mentors than a renewal of a definite genre. The
band went as far as to ask Niklas Sundin to draw the artwork for
them so the album sounds and looks like a Swedish melodic Death
Metal effort of old, but the imitation doesn’t match the original.
A good album, that’s all.
Edouard Vergriete
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DETONATION
Portals To Uphobia
(Osmose Productions)
43:57min
Oh no… DETONATION again! I forgot about them since the time I
reviewed their first full length but here they are, presenting the
result of their “fruitful” creative process. The good thing with
an album like “Portals To Uphobia” (nice artsy title, bravo!) is
that the first track gives the clue of what is to come and clearly
sums up the whole affair. You know at once what to expect and that
no surprise will disturb the more than 40 minutes long musical
diarrhoea inflicted by this Dutch bunch. The main problem with
DETONATION is that they don’t know how to compose an actual song:
every track here is a mere artificial juxtaposition of riffs without
any direction and purpose. In the end “Portals To Uphobia” gives
the impression of a long track truncated by blanks scattered at
random. Needless to say then that the sub standard neo-extreme Metal
in the vein of ARCH ENEMY that DETONATION play could induce a sick
state of stupor in a very short time. Even the Photoshop cover art (mandatory
these days to give an impression of artistic sensibility and
intellectual sophistication) reflects the abysmal banality offered
by this band. If you are an adept of melodic “extreme” (read:
politically correct, clean and harmless) Metal (Plastic?), give this
one a listen, maybe you can find something of interest in it after
all. I would like also to mention the production, dynamic but very
dry and “noisy”, I know the younger among us refer to this type
of sound as very good; I simply can’t stand it myself, and it
contributed to the ripping headache this record caused to me.
Edouard Vergriete
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DETONATION
Emission Phase
(Osmose Productions)
49:28min
Well it seems that DETONATION aren’t exactly popular here at Voices. Especially their last output has been executed rather harsh for combining pretty much everything worth loathing in modern
Metal. And although I can see the point I still beg to differ: if you can find it in your heart to forgive them that
they're still sticking to Gothenburg Melo-Death in 2007 you will find that there are far worse examples of this style. And that pretty much includes all of the bands that made that sound famous who are still around. Even if you’re - like my humble self and presumably 98,9876 % of our
readers - pretty much sick and tired of it you still have to admit that the Dutch definitely have a knack for blending tightness, heaviness and melody into compact and catchy songs. There are no real standout tracks and after all this is still far too much routine and sterility for me to embrace it, but at the end of the day nobody will ever surpass AT THE GATES anyway and it wouldn’t be fair to blame one of the better bands still trying…
www.osmoseproductions.com. On sale
here .
Torsten Gründig
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DETONATOR 666
Supremacy & Tyranny
(Infernus Rex)
37:24min
At a first glance and judging by the cover artwork and the band name (guess what?
A nuclear explosion!) DETONATOR 666 doesn't seem to be a band out of the pack. The usual intro (taken
from a movie) starts rolling and then the hellstorm bursts out. The band features members of the old Czech Black Metal band
MANIAC BUTCHER which means that you will find a seasoned group of guys here that have spitted forth an aggressive Black
Metal album that is a roughly speaking a mixture of MANIAC BUTCHER
and a heavy dose of early MAYHEM. The songs flow very well, at a fast pace most of the time not reaching light-like speed with
the usual slow-bashing to mid-tempo and with a proper production that englighten the foul
attributes of the album, without diminishing the overall impact. It is actually pleasing that
vocally they have gone for the desperate-sreaming type of vocal that fits their
aggressive approach just perfect without sounding as a lousy cheap copy of early BURZUM.
This band is not breaking any barriers here but this album is sure to appeal to all fans of
the aforementioned influences and anyone looking for an entertaining Black Metal
album. According to the package description it comes with special inverted-cross shaped
booklet! Contact them here: www.ir-distribution.com/infernusrex/bands.htm
Mario Cubero
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DEVASTATOR
Morbid Force
(Death To Mankind Records)
48:14min
This is actually the third full length from this American Black / Thrash
Metal band form the USA. I have heard some rumors concerning the
band, mainly an affiliation with radical bands or thoughts. Also,
the label where this is released is home of many NS Metal bands. But
lyrically I see few connections. The band's main inspiration is
oldschool Thrash Metal, the passion for Metal and worshipping the
devil. All together to achieve the same goal: Thrash for Satan. The
quality of the production is above average a demo, and although this
might sound not proper for an album, it actually fits the music
pretty good. Citing influences form bands like VENOM, CELTIC FROST,
BATHORY and ROTTING CHRIST, it is also a good way to describe the
music. Vocals do sound a bit like a more Death Metal orientated
young Schmier, with fewer high pitched tones, with probably not that
much variation, but still pulling it through.
I must also mention the fact that I can hear a very strong
Greek occult Metal influence, I have already mentioned ROTTING
CHRIST, but also VARATHRON and to a lesser extent early NECROMANTIA
comes to mind. This is more evident in the more mid-tempo songs,
rather than the fast thrashy ones. Some slight uses of keyboards
also sound a lot to the way those Hellenic bands used them (in a
very simple way in fact). The faster songs are more akin to early
SLAYER where one can listen to early Rock influences. I just feel
that for this style the guitars could be louder, but then again
there is also the risk of sounding way too modern…
the
overall sound of this one takes me at least some 10 years back in
time, for the style and production values. The presentation is also
quite simple, but you can always have the lyrics form their website.
For what it is, I really like it, and have been following the band
from their first release “The
End”.
I just expect more from these blasphemers in a near future, as they
do have the evil powers to invoke higher diabolic chants. www.morbidforce.com
, http://label.deathtomankind.com
Julian Nuñez
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DEVASTATOR
Conjuring Evil
(Old Cemetery Records)
49:12min
This review took a bit longer to do, as I was expecting the CD to
arrive. Finally here, I just feel more comfortable to review the
final product of this five blasphemers from the USA, to let you know
if your hard earned Metal money is worth or not. One thing to notice
is that the band again changed label; from Regimental Records to
Death To Mankind and now finally in Old Cemetary Records. A nice
touch in the presentation is that the CD actually offers two cover
arts. You just choose which one you want. Probably a simple thing to
do, but in my book a very convenient one! Now, there are the lyrics
included, and they have not changed a bit. Again they Thrash for the
devil. Also, their music style remains intact at the core, with just
a few subtle changes. Whereas the last album was more directed in
the early ROTTING CHRIST style, this new one now turns a bit more to
the VENOM side. Even the vocals, done by the same guy as the last
album now sound more and more to Cronos, and there are even some
parts you can swear it is the VENOM front man screaming out his
lungs. Again, they aimed for a more demo production style, yet this
goes along well with the style. There are more solos this time, and
they are very Heavy Metal influenced. But do not think wrong, they
are still as furious and evil as before, they just added a bit more
of musical spectrum to their unholy Black / Thrash attack. For the
newer fans, if you like the style of NIFELHEIM or DESASTER, this is
a mandatory listen, just expect a rawer and direct sound and a less
polished production. After four albums, I still think their second
one “Nuclear
Proliferation”,
is the best one, probably due to a better production. But the few
stylistic changes, and their total worship of old Metal bands
without trying to sound like them, makes DEVASTATOR in my book a
seal of quality few bands can offer. www.morbidforce.com,
www.oldcemetery.tk
Julian Nuñez
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DEVASTER
Infernal March (Promo 2005)
(self-financed)
27:27min
This band from Italy turns out to be a rather pleasant surprise with
this 5 tracks affair. I have always had a soft spot for Italian
bands, be them from the magnificent Progressive Rock scene of the
70s or from the more recent traditional and extreme Metal ones.
DEVASTER offer a fine brand of greatly inspired Thrash, and believe
me “Infernal March” is surely a winner in
that apparently simple but in fact very difficult to master musical
genre. After a war-like intro the sonic battle begins with an
ultra-speedy track and it becomes obvious at once that this four
piece has talent enough to impress the pickiest Thrash devotee,
thanks to a perfect mastery of their instruments, their great sense
of songwriting and an overall excellent sound (the tracks are not
overproduced, but are very organic and warm sounding). In fact, the
more this promo CD comes forward to its conclusion, the more the
music becomes better, with the two last tracks (‘Infernal
Evocation’ and ‘Necrothrash’) being two minor classics in
their own rights (for the connoisseurs, the former evokes the
spectre of the great – and almost forgotten - US Speed Metal band
HELLHOUND). To me it is quite evident that DEVASTER (a great moniker
by the way) deserve a proper record deal, and quick. I will spare
you the usual refrain “if a label manager with a brain…”,
because in the DEVASTER case it is quite easy to check out the
rightness (or lack of) of my opinion, since this entire promo is
available to download for free on www.devaster.net:
its quality speaks for itself really. I love this immensely and I
have no doubt DEVASTER are here to stay, I can’t wait for the
first proper full length. THUMBS UP!
Edouard Vergriete
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